book reviews and features
Diana Evans: A House for Alice review - lyrical sequel to Ordinary People
Tuesday, 04 April 2023
Diana Evans specialises in houses, their baleful quirks and the meaning of home. In her acclaimed third novel, Ordinary People (2018), formerly happy, black couple Melissa and Michael... Read more... |
Colin Herd and Maria Sledmere: Cocoa and Nothing review - arts of sinking
Saturday, 01 April 2023
In his mock-poetic manual Peri-Bathos (1728), Alexander Pope opens by describing the afflictions which beset inhabitants of the lower Parnassus. The aristocracy living further up the... Read more... |
Seraphina Madsen: Aurora review - the tarot won’t save us
Tuesday, 28 March 2023
“There is another world… a way of perceiving that is chaotic and awesome and terrifying,” announces Seraphina Madsen’s cigarillo-smoking, telepathic cat. Lecturing a teenage coven on the art... Read more... |
Margaret Atwood: Old Babes in the Wood review - bookending the short story
Tuesday, 14 March 2023
Margaret Atwood has been writing for sixty years now, and, with her latest publication, she has given us a book... Read more... |
Janet Malcolm: Still Pictures - On Photography and Memory review - a rare glimpse at a guarded personal history
Saturday, 11 March 2023
For almost half a century, from the mid-1960s until her death in 2021, Janet Malcolm was a staff writer on the New Yorker where her meticulous reporting and provocatively strong opinions... Read more... |
Nicole Flattery: Nothing Special review - returning to the Factory
Wednesday, 08 March 2023
It seems that Andy Warhol’s Factory – silver-dusted and populated with tragic, drug-addicted minor... Read more... |
Will Harris: Brother Poem review - writing the poems that could have been
Saturday, 04 March 2023
You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-... Read more... |
Disbelief - 100 Russian Anti-War Poems (ed. Julia Nemirovskaya) review - writing battle-lines
Thursday, 23 February 2023
On 24th February 2022, when Vladimir Putin launched his “special military operation”, life in Ukraine changed abruptly and in a brutal fashion. Soon the impact of the war was felt around the world... Read more... |
Sally Adee: We Are Electric review - currents that run through us all
Friday, 17 February 2023
All the things going on with me as I type this – fingers moving keys, eye and brain registering characters on my screen, thoughts that will (I hope) generate the next lot of characters – rely on... Read more... |
Extract: The Northern Silence - Journeys in Nordic Music and Culture by Andrew Mellor
Wednesday, 15 February 2023
“Silence,” Andrew Mellor contends, “is more prominent in the northernmost reaches of Europe.” Yet it is more like a texture or an apprehension of vacancy than a state of true soundlessness:... Read more... |
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London Tide, National Theatre review - haunting moody river...
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...
Jonathan Pie, Duke of York's Theatre review - spoof pol...
If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...
Baby Reindeer, Netflix review - a misery memoir disturbingly...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
Machinal, The Old Vic review - note-perfect pity and terror
Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...
Fantastic Machine review - photography's story from one...
The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...
Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...
If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...
All You Need Is Death review - a future folk horror classic
Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...
Album: Jonny Drop • Andrew Ashong - The Puzzle Dust
As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...
theartsdesk on Vinyl: Record Store Day Special 2024
Record Store Day is tomorrow! At theartsdesk on Vinyl...
If Only I Could Hibernate review - kids in grinding poverty...
Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...