sat 20/04/2024

book reviews and features

'I let it emerge': an interview with Fiona Benson on the cusp of the TS Eliot Prize announcement

Jack Barron

Fiona Benson’s new collection of poems, Ephemeron (Jonathan Cape, 2022), tries to capture those things that are always moving out of grasp. It does this through four sections: the first...

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Jaan Kross: A Book of Falsehoods review - plague, power and deception in 16th century Tallinn

David Nice

When the first volume of Estonian master Jaan Kross’s peerless historical trilogy first appeared in an English...

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Best of 2022: Books

theartsdesk

From Kafka’s spry sketches to Derek Owusu’s novel-poem, and Jaan Kross’s Estonian Wolf Hall to Katherine Rundell’s spirited biography of John Donne, our reviewers take the time to share...

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10 Questions for writer and translator Saskia Vogel

Hannah Hutching

Johanne Lykke Holm’s spellbinding novel Strega recounts one teen’s journey into womanhood....

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Bob Dylan: The Philosophy of Modern Song review - a book that contains multitudes

mark Kidel

Some years after Chronicles (2004) a book that broke moulds and delighted with its originality, and as with albums...

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Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophile

India Lewis

Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a...

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10 Questions for Bruce Lindsay, biographer of Ivor Cutler

Sebastian Scotney

Ivor Cutler: A Life Outside the Sitting Room by Bruce Lindsay, is the first full-length...

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Patrick Duff: The Singer review - agony and ecstasy of a rock'n'roll life

mark Kidel

As our favourite rock stars become elders, there has been a steady flow of autobiographies, some ghosted, some...

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Patti Smith: A Book of Days review - adding to Insta's debris

Hugh Barnes

On April Fool’s Day, in 1978, the godmother of American punk, Patti Smith, jumped offstage at the Rainbow Theatre in...

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Derek Owusu: Losing the Plot review - the finest perfume

Harriet Mercer

Derek Owusu’s debut That Reminds Me won the Desmond Elliot Prize in 2020. When asked what it was that she loved most about Owusu’s semi-autobiographical 117-page book, Preti Taneja, chair...

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Jonathan Pie, Duke of York's Theatre review - spoof pol...

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Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

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