Film Reviews
The Book of Clarence, review - larky jaunt through biblical epic territoryThursday, 18 April 2024
The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life of Christ destined to ruffle good Christians’ feathers. It turns out not to be the “new” anything, though: it’s refreshingly sui generis, as the Romans might have said. Read more... |
Back to Black review - rock biopic with a loving but soft touchFriday, 12 April 2024
Sam Taylor-Johnson has fashioned her biopic of Amy Winehouse with great care and affection, but sometimes, as she shows her subject discovering, love isn’t quite enough. Read more... |
Civil War review - God help AmericaFriday, 12 April 2024
Alex Garland’s fourth movie as writer/director is a chilling glimpse of an American dystopia, fortuitously timed for the run-up to the forthcoming US elections. However, it steers fastidiously clear of drawing any obvious Trump vs Biden parallels, though it’s difficult to imagine that it hasn’t imbibed any inspiration from the Maga mob’s insurrection at the US Capitol in 2021. Read more... |
Evil Does Not Exist review - Ryusuke Hamaguchi's nuanced follow-up to 'Drive My Car'Saturday, 06 April 2024
While Ryusuke Hamaguchi’s Evil Does Not Exist doesn’t cast a spell as strongly as his Oscar-winning hit Drive My Car, it is a thought-provoking film well worth seeing for anyone with an interest in ecology or a penchant for subtle thrillers. Read more... |
Io Capitano review - gripping odyssey from Senegal to ItalyFriday, 05 April 2024
Io Capitano works on several levels. At first glance, it’s a ripping yarn – two optimistic Senegalese teenagers embark on a dangerous journey, across the Sahara, through the hell of Libya and on to an overcrowded boat across the Mediterranean – all inspired by the lads’ dream of Europe. Read more... |
The Trouble with Jessica review - the London housing market wreaks havoc on a group of friendsFriday, 05 April 2024
Before moving house, Sarah (Shirley Henderson) and Tom (Alan Tudyk) are throwing a final dinner for their best and oldest friends. Sarah wants it to be special. It turns out to be very special. Disastrous, in fact. Read more... |
Silver Haze review - daughters of Albion dealing with damageMonday, 01 April 2024
In a Dagenham hospital, Silver Haze’s compassionate nurse Franky, played by Vicky Knight, meets Florence (Esmé Creed-Miles), who’s been admitted as a patient for having attempted suicide. After Franky dumps her boyfriend, the two women begin a tempestuous affair – or is that a tautology? Read more... |
Mothers' Instinct review - 'Mad Women'Sunday, 31 March 2024
This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-Hollywood conviction. Read more... |
Godzilla x Kong: The New Empire review - a bit of a monster let-downSaturday, 30 March 2024
The latest blockbuster of 2024 is this disappointing fifth entry in the so-called MonsterVerse franchise, owned by Legendary Pictures. About half of the film contain actors, while half of it is computer-generated – the likely brief future of cinema before AI takes over completely. In the battle for credibility between monsters and actors, the actors here come off decidedly worse. Read more... |
The Origin of Evil review - Laure Calamy stars in gripping French psychodramaThursday, 28 March 2024
A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her father, who she’s tracked down and has never met. Her voice trembles, she can barely speak, she has to hang up. But finally she manages it. This is Stéphane, she murmurs. May I speak to Serge? Read more... |
Late Night With the Devil review - indie-horror punches above its weightMonday, 25 March 2024
In Late Night With the Devil, light entertainment rubs shoulders with demonic forces on a talk show. It isn't quite the homerun its 97% Rotten Tomatoes rating would suggest, but this Australian indie production punches above its weight with an effective found-footage concept and lived-in 1970s setting. Regrettably, excitement for the movie's long-awaited cinema release has been dampened by controversy over its makers' use of AI-generated images. Read more... |
Ghostbusters: Frozen Empire review - a modest, well-meant returnSunday, 24 March 2024
Who you going to call? Five films into the Ghostbusters franchise, every persuadable survivor from the ’84 original, plus the ad hoc, Paul Rudd-led Spengler clan introduced in the series-reviving Ghostbusters: Afterlife (2021). The low-key, humane, borderline dull result bears little tonal relation to that bombastic founding film. Read more... |
Immaculate review - grisly convent horror is timely but flawedSaturday, 23 March 2024
Immaculate marks Sydney Sweeney’s complete takeover of the big screen. This year alone she has brought back the rom-com with Anyone But You, showed off her acting chops in whistle-blower drama Reality, and joined the Marvel universe with Madame Web. Immaculate is her headfirst dive into horror, and it’s a grisly convent story that aims for Rosemary’s Baby meets Suspiria, but sometimes feels like The Nun 2. Read more... |
Baltimore review - the story of Rose Dugdale and the IRA art heistFriday, 22 March 2024
“Poor fox,” says Rose Dugdale. She is standing beside her very rich mama and papa in the grounds of their stately home, her face blooded after the killing of her first fox. She knows this vicious upper-class ritual is wrong. It’s 1951 and she is 10. Hardcore challenges to the British establishment lie ahead. Read more... |
Robot Dreams review - short circuits of loveFriday, 22 March 2024
As everyone knows, the two most likeable creatures in the fictional world are the dog and the robot. Who doesn’t love a waggly tail or an aluminium cranium? So putting the two together in an animated movie looks like a Bennifer-perfect match. |
The Delinquents review - escape to the country, Buenos Aires styleThursday, 21 March 2024
This latest outing from Argentine director Rodrigo Moreno is a wry parable about escaping the urban rat-race and searching for the meaning of life, viewed through the prism of a pair of world-weary Buenos Aires bank workers. Morán (Daniel Elias) hits upon a scheme of robbing the bank, then giving himself up for what he calculates will be a three-and-a-half year jail term. Read more... |
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