The Kingdom, Three Choirs Festival | reviews, news & interviews
The Kingdom, Three Choirs Festival
The Kingdom, Three Choirs Festival
World-class singers and orchestra make most of Elgar's flawed oratorio
Sunday, 08 August 2010
Gloucester Cathedral, stage for Elgar's 'The Kingdom': 'glorious orchestral sonorities echoing round the huge Norman columns'
The Three Choirs Festival is with us again, for the 283rd year – almost as many, it seems, as The Mousetrap: this year we are in Gloucester. Nowadays, though, this great festival is no longer imprisoned, Barchester-like, in the cathedral close, but ranges all over Gloucester city and Gloucestershire, with concerts also in Tewkesbury, Cheltenham, Highnam and Painswick; and its repertoire is likewise much broader than of yore, with plenty of new music, young artists, children’s concerts, and even, quaintly, a pipe and tabor workshop, to go with the familiar Elgar, Finzi, Vaughan Williams and Holst, the organ recitals and the vicarage tea parties, the coach trips and the memorial talks.
The Three Choirs Festival is with us again, for the 283rd year – almost as many, it seems, as The Mousetrap: this year we are in Gloucester. Nowadays, though, this great festival is no longer imprisoned, Barchester-like, in the cathedral close, but ranges all over Gloucester city and Gloucestershire, with concerts also in Tewkesbury, Cheltenham, Highnam and Painswick; and its repertoire is likewise much broader than of yore, with plenty of new music, young artists, children’s concerts, and even, quaintly, a pipe and tabor workshop, to go with the familiar Elgar, Finzi, Vaughan Williams and Holst, the organ recitals and the vicarage tea parties, the coach trips and the memorial talks.
Should one praise a singer’s smile? Williams manages to look as if the audience contains only his best friends
Explore topics
Share this article
more Classical music
Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fields review - engagingly subversive pairing falls short
A collaboration between a cellist and a breakdancer doesn't achieve lift off
Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall review - electrifying teamwork
High-voltage Mozart and Schoenberg, blended Brahms, in a fascinating programme
Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - enchantment in Mozart and Strauss
Leading French soprano shines beyond diva excess
Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester review - three flavours of Vienna
Close attention, careful balancing, flowing phrasing and clear contrast
Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbican review - blazing French masterpieces
Poulenc’s Gloria and Berlioz’s 'Symphonie fantastique' on fire
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review - joy in teamwork
A great pianist re-emerges in Schumann, but Beamish and Mendelssohn take the palm
First Persons: composers Colin Alexander and Héloïse Werner on fantasy in guided improvisation
On five new works allowing an element of freedom in the performance
First Person: Leeds Lieder Festival director and pianist Joseph Middleton on a beloved organisation back from the brink
Arts Council funding restored after the blow of 2023, new paths are being forged
Classical CDs: Nymphs, magots and buckgoats
Epic symphonies, popular music from 17th century London and an engrossing tribute to a great Spanish pianist
Sheku Kanneh-Mason, Philharmonia Chorus, RPO, Petrenko, RFH review - poetic cello, blazing chorus
Atmospheric Elgar and Weinberg, but Rachmaninov's 'The Bells' takes the palm
Daphnis et Chloé, Tenebrae, LSO, Pappano, Barbican review - lighting up Ravel’s ‘choreographic symphony’
All details outstanding in the lavish canvas of a giant masterpiece
Goldscheider, Spence, Britten Sinfonia, Milton Court review - heroic evening songs and a jolly horn ramble
Direct, cheerful new concerto by Huw Watkins, but the programme didn’t quite cohere
Add comment