Theatre Reviews
The Motherf**ker with the Hat, National TheatreThursday, 18 June 2015
The play that lost the 2011 Tony Award to War Horse is now receiving its British debut at the very address where War Horse premiered. But such theatrical coincidences won't register in most circles as much as a title, The Motherf**ker with the Hat, that sent newspaper copy desks into a tailspin (the New York Times didn't print the M word at all, even with the asterisks). Read more...
|
Hang, Royal Court TheatreWednesday, 17 June 2015
One of the most talented playwrights to emerge in the 2000s, debbie tucker green is a law unto herself. The best word to describe her is uncompromising. When I interviewed her in 2003 she refused pointblank to answer any questions about her West Indian background and since then she has steadfastly declined to discuss her work in the media. Like Caryl Churchill, she doesn’t do publicity. Read more... |
We Want You To Watch, National TheatreTuesday, 16 June 2015
“We’re completely pro sex.” Rashdash, who collaborated with Alice Birch on this anarchic challenge to pornography, are not objecting on prudish grounds – their concern is the corrosive impact of degrading, dehumanising material. We are all affected, and we all need to seek a solution. Read more... |
An Audience with Jimmy Savile, Park TheatreFriday, 12 June 2015
Seldom has there been such impassioned debate about whether a play has a right to exist. Writer Jonathan Maitland faced a barrage of criticism, with many accusing him of exploitation; others felt it was too soon for freshly unveiled horror to re-emerge on stage. Lead actor Alistair McGowan disagreed, noting Savile’s victims feel the telling of this tale comes “30 years too late”. Read more... |
The Red Lion, National TheatreThursday, 11 June 2015
Football is a subject close to Patrick Marber's heart. He's a lifelong Arsenal fan and during his sojourn away from London (and writing, as he was suffering from writer's block for much of it) in Sussex, he became involved with his local non-league team, Lewes, helping to establish it as a community-owned club in 2010. Read more... |
Violence and Son, Royal Court TheatreTuesday, 09 June 2015
Titles can be warnings as well as come-ons. In Gary Owen’s new play about a teenager growing up in the Welsh Valleys, it’s not difficult to guess what the main theme of the play is. Stumbling out of the performance tonight I had the distinct impression that this is the most disturbing, even chilling, play of the year. Not only is it written with enormous skill, but what it has to say about men, and boys, feels both emotionally true and morally repellant. Read more... |
Waiting for Godot, BarbicanSunday, 07 June 2015
In a peculiarly Beckettian development, the creative team of this Sydney Theatre Company production spent several weeks of rehearsal waiting not for Godot, but for their director. Read more... |
Now This Is Not the End, Arcola TheatreSaturday, 06 June 2015
Few cities have been so central to the European imagination as Berlin in the 20th century. At the centre of imperial power, then of Weimar, next the hub of Nazi Germany, then for some 50 years a symbol of a divided Cold War world. In Rose Lewenstein’s new play, Now This Is Not the End, the city is remembered with a touch of nostalgia by Eva, an old German lady living in London. Read more... |
Oresteia, Almeida TheatreSaturday, 06 June 2015
There are two fundamental ways to fillet the untranslatable poetry and ritual of Aeschylus, most remote of the three ancient Greek tragedians, for a contemporary audience. Read more... |
Fiddler on the Roof, Grange Park OperaFriday, 05 June 2015
Many matches are made in Fiddler on the Roof but the matchmaking prize goes to Grange Park Opera for getting Bryn Terfel to take on the role of Tevye. Having only recently played Sweeney Todd, and indeed throughout a varied career, Terfel has proved that he can treat lighter music with respect and sincerity, not to mention plenty of good humour. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...
Anyone who’d booked to hear soprano Sally Matthews or to witness the rapid progress of conductor Daniele Rustioni – the initial draw for me –...
For most people’s 40th birthday celebrations, they might get a few...
The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...
If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...
If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...
Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...
As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...