thu 18/04/2024

21st century

Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knight

Shakespeare’s plays have ever been meat for masher-uppers, from the bowdlerising Victorians to the modern filmed-theatre cycles of Ivo Van Hove. And Sir John Falstaff, as Orson Welles proved in Chimes at Midnight, can be the star of his very own...

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Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in care

"In care". It’s a phrase that, if it penetrates our minds at all, usually leads to distressing tabloid stories of children losing their lives at the hands of abusive parents (“Why oh why wasn’t this child in care?”) or of loving parents separated...

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Marwood, Power, Watkins, Hallé, Adès, Bridgewater Hall, Manchester review - sonic adventure and luxuriance

For the second big concert of his “residency” with the Hallé this season, Thomas Adès chose one major piece of his own, rather than a set of shorter ones. Tevot, a 21-minute one-movement work written for the Berlin Philharmonic 18 years ago,...

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Andrew O'Hagan: Caledonian Road review - London's Dickensian return

Andrew O’Hagan’s new novel, Caledonian Road, feels very much intended to be an epic, or at the very least has designs on being a seminal work, documenting the modern (European) human condition. Character and storyline-rich, dense, and morally...

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Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling staging

Transgression was so deliciously enticing. Back in the Eighties when I saw Les Liaisons Dangereuses in the West End on three occasions, life was simpler – or so us straight white men flattered ourselves to believe. Consent was for unproblematic...

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Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevance

If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s...

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Colin Currie Quartet, Wigmore Hall review - toccatas for triangles and teacups

I have never seen the Wigmore Hall stage more crammed with instruments than for this Colin Currie Quartet concert. Sadly the auditorium was not similarly packed, the hall’s admirable initiative of broadening its repertoire away from mainly dead...

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Samuel Takes a Break... in Male Dungeon No. 5 after a long but generally successful day of tours, The Yard Theatre review - funny and thought-provoking

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you out, replace your soul with a void. It happened to me at Auschwitz and it’s happening to Samuel at...

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Fung, BBC Philharmonic, Weilerstein, Bridgewater Hall, Manchester review - clever and comical

Placing the UK premiere of Katherine Balch’s whisper concerto (for cello and orchestra) after Haydn’s Symphony No. 100 was probably an inspired idea from the BBC Philharmonic and conductor Joshua Weilerstein.In its day, the so-called “Military”...

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Othello, Sam Wanamaker Playhouse review - 21st century interpretation delivers food for thought

Detective Chief Inspector Othello leads a quasi-paramilitary team of Metropolitan Police officers investigating gang activity in Docklands. With a chequered past now behind him, he has reformed and has the respect of both the team he leads and his...

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All of Us Strangers review - a haunting story about the power of love, masterfully told

Andrew Haigh’s films come at you like stealth bombers, presenting everyday scenes in a spare narrative style, and then using them to blitz you with unexpected emotions. His latest is no exception. It starts with the familiar sight of a...

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Night Swim review - hardly immersive horror flick

The water is wild in Night Swim, the weirdly wet horror debut from director Bryce McGuire, in which a backyard bathing pool becomes the locus of all things supernatural.For a while, this mild, many-angled shocker, produced by horror impresarios...

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