mon 18/12/2017

crime

Agatha Christie's Crooked House, Channel 5 review - actresses chew furniture for fun

Crooked House is being released as a film in various territories, but has already been shown on television in America and has now surfaced as a drama on Channel 5 bearing the title Agatha Christie’s Crooked House. It duly falls in with a recent...

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Bancroft, ITV review - Sarah Parish's very cold case

This week we were all meant to be gripped by a bunch of ancient geezers nicking diamonds in Hatton Gardens. The postponement of ITV’s nightly four-part drama – the second of four (four!!) different versions of the infamous burglary – is a bit of a...

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The best TV to watch this week

Sick of the early onset of Christmas? Just watch television instead (though preferably not the news). Try these out for size.Thursday 14 DecemberThe Tunnel: Vengeance, Sky Atlantic - start of series 3 of Sky's Euro-hit, a kind of underwater version...

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Witnesses: A Frozen Death, BBC Four review - plummeting temperatures in the Pas de Calais

A thankless task, perhaps, to find oneself following in the footsteps of the berserk Spanish melodrama I Know Who You Are (theartsdesk passim). However, BBC Four’s new Saturday night import, whose first series was shown on Channel 4 a couple of...

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I Know Who You Are, series 2 finale, BBC Four review - Spanish drama literally took no prisoners

So, if you’re reading this you probably trudged all the weary way to the very end of I Know Who You Are. Or you didn’t but still want to find out what the hell happened. After 20-plus hours of twisting, turning, overblown drama, long-service medals...

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Peaky Blinders, series 4, BBC Two review - new threats, same thrills

BBC Two’s flagship crime drama Peaky Blinders returns for another guilty dose of slo-mo walking, flying sparks and anachronistic soundtracks. In the opening episode “The Noose”, we’re served a familiar course of family disputes, sinister threats and...

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Good Time review - heist movie with stand-out performance by Robert Pattinson

This is not a movie to see in the front row – intrusive close-ups, hand-held camerawork, colour saturated night shots and a relentless synthesiser score all conspire to make Good Time a wild ride. An unrecognisable Robert Pattinson plays Connie...

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theartsdesk Q&A: Steven Knight and Cillian Murphy of Peaky Blinders

Like a lot of people, I came late to Peaky Blinders, bingeing on the first two brutal, but undeniably brilliant, series like the proverbial box-set sensation it quickly became. With its focus on the turmoil and fortunes of a particularly unruly...

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I Know Who You Are, Series 2, BBC Four review - get on with it, por favor

Here we go again then. The “first series”, as the BBC are calling it after the fact, of I Know Who You Are slammed the brakes on and juddered to a bewildering halt back in the middle of August. Almost everyone who’d sat through the plot dodgems of...

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Murder on the Orient Express review - lushly upholstered, lightly remodelled ride

Kenneth Branagh, like his Poirot, cares about cutlery. The director and detective’s fastidiousness both find their ideal home on the Orient Express, where waiters measure fork placement with the precision of Poirot’s sacred monster of a moustache....

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Inspector George Gently, BBC One review - power, corruption and lies in his last-ever case

And now the end is near… and so Inspector George Gently faces his final case. Deemed too political to be broadcast in its original slot in May – 10 days before the General Election – Gently and the New Age was postponed until 8.30pm last...

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Witness for the Prosecution, London County Hall review - favourable verdict on Agatha Christie classic

Some site-specific theatre feels like a really good fit. You could say, in this case, that it seems like poetic justice. Agatha Christie’s 1953 play, Witness for the Prosecution, used to be a rep standard, and now gets a compelling new production in...

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