thu 28/03/2024

jazz

Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmony

When a musical jeweller with an imagination of remarkable aural refinement meets a jazz orchestra which combines playing of super-fine precision and warmth with a total commitment to the music’s singular ebb and flow, remarkable things can happen.In...

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EFG London Jazz Festival 2023 round-up review - vital sparks crossing and uniting generations

Start with the biggest gig of this year’s EFG London Jazz Festival: Angélique Kidjo’s Royal Albert Hall show definitely stays in the mind. Part of the story is the earth-shaking power and resonance of the voice of the "Queen of African music" which...

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Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

This UK premiere of the award-winning, Dublin-born vocalist and composer Christine Tobin’s latest project, Returning Weather, presented an otherworldly ode to finding home – casting multiple perspectives on our yearning for connection and human...

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Selaocoe, Schimpelsberger, LSO, Ward, Barbican review - force of nature crowns dance jamboree

It was good of the EFG London Jazz Festival to support this concert and bring in a different audience from the one the LSO is used to. But how to define it? Jazz only briefly figured in works by Gary Carpenter, Bartók, Barber and Abel Selaocoe. The...

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Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist

To watch virtuoso jazz pianist Hiromi perform is to experience a vast weather system of sound; at some moments exuberant hailstorms of notes alternate with thunderous chords, at others, sombre atonal passages resolve into a burst of sunshine.By any...

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theartsdesk on Vinyl 80: Nanci Griffith, Scuba, Dope Lemon, Aerosmith, Bob Marley, Pharoah Sanders and more

VINYL OF THE MONTH Being Dead When Horses Would Run (Bayonet)Being Dead are ostensibly an indie trio from Austin, Texas, but that description doesn’t really do justice to their smörgåsbord sound. Their default setting seems to be Trashmen “Surfin’...

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10 Questions for the avant-pop icons Stereolab

Just over 30 years ago, avant-pop icons Stereolab released their debut album Peng! establishing the early hallmarks of the English-French band’s sound; 1960s pop harmonies, chorus-laden guitar riffs and a borderless world of analog electrics. Helmed...

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theartsdesk at Salzburg Jazz & the City Festival - perfection in free venues

As a cultural destination, Salzburg really is hard to beat. Each year, a million and a half tourists descend on this compact city with its baroque architectural delights, and a population of just 150,000. The city of Mozart and of the Salzburger...

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Album: Melanie De Biasio - Il Viaggio

Il Viaggio is a form of soundtrack. Its lyrics, music and soundscapes are created in response to the journey referenced in the title. Though born and raised in Belgium, Melanie De Biasio’s paternal grandfather was Italian. After the Europalia arts...

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Album: Nils Petter Molvær - Certainty of Tides

With beautiful playing from the Norwegian Radio Orchestra conducted by Ingar Berby, sumptuous arrangements which hint at everything from the great jazz orchestrator Gil Evans to the haunting "night music" of Béla Bartók, and – at its heart – the...

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theartsdesk on Vinyl 79: Primal Scream, Girl Ray, Mort Garson, Barbie, Nina Simone, Dengue Fever and more

VINYL OF THE MONTHAfrican Head Charge A Trip to Bolgatanga (On-U Sound)The latest album from percussionist Bonjo Iyabinghi Noah and On-U Sound producer-par-excellence Adrian Sherwood is stunning. 40-something years into their collaborative career,...

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We Out Here Festival, Wimborne St Giles review: it's a family affair, and then some...

We Out Here Festival, now in its fifth year (and fourth edition, as 2020 was of course cancelled for Covid), has become an institution. Curated by jazz-centric veteran DJ Gilles Peterson and actualised by Noah Ball – best known for his role in...

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