fri 29/03/2024

performance art

Robbie Thomson XFRMR, Brighton Festival review - lightning strikes out

The welcome to Glasgow audio-visual artist Robbie Thomson’s performance engenders a hefty sense of anticipation. It’s almost nervousness-inducing as we’re handed ear-plugs and warned about how very loud it’s going to be. Then, walking into the main...

Read more...

IOU Rear View, Brighton Festival review - imaginative odyssey around town

Yorkshire theatre company IOU have a tool in their armoury that most of their peers do not. It’s an open-topped bus with tiered seating, as pictured above, built in Halifax and the only one of its type, replete with headphone sets for every seat. It...

Read more...

NoFit State Circus present Lexicon, Brighton Festival review - a wild eye-boggling jamboree

When an acquaintance heard my first review of the Brighton Festival was a circus event they snorted, “Oh dear.” It’s strange; for a couple of decades there’s been a default setting among broad swathes of otherwise artistically-inclined Boho sorts:...

Read more...

Brighton Festival 2018 Preview

This weekend sees the Brighton Festival 2018 kick off. Anyone visiting the city on Saturday 5 May would find this hard to miss as the famous Children’s Parade makes its way around the streets, a joyous dash of colour and creativity. This year’s...

Read more...

10 Questions for Sharon Smith of Arts Collective Gob Squad

Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in multimedia performance. Beginning in Nottingham in 1994 and now based in Berlin, their work ranges from site-specific to installation and film but, more recently, mainly...

Read more...

Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

What a superb location for a performance! The flats on the north-east corner of Islington Green back onto a crummy atrium from which a staircase leads down to a vaulted, concrete pit (pictured below). A cross between a car park and a bull ring, or a...

Read more...

10 Questions for Performer Seth Kriebel

Seth Kriebel, 45, is a performer, much of whose work involves audience participation. He is bringing the show A House Repeated to the Brighton Festival 2018 between 6th and 11th May. Of American origin, born and raised near Philadelphia, Kriebel...

Read more...

Joan Jonas, Tate Modern review - work as elusive as it is beautiful

The American artist, Joan Jonas is one of the pioneers of performance art. Now 82, she is being honoured with a Tate Modern retrospective and Ten Days Six Nights, a festival of live art in which many of her performances are being recreated...

Read more...

theartsdesk Q&A: Homer Flynn, spokesman for The Residents

An encounter with Homer Flynn is disconcerting as the extent of his involvement in The Residents is unclear. He acknowledges that he speaks for the eyeball-headed quartet whose identities are unknown. As he talks, it's clear he has intimate...

Read more...

Aspiration, ecstasy, melancholy: 'The Tale' of Torbay

A dark star explodes. I cannot remember the future. A figure appears on the beach. We're always reaching out. It's always just over there. We're always dreaming. The grey rocks, the red sand, the blue sea. Everywhere, the sea. Everything you ever...

Read more...

Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

Rose Finn-Kelcey was one of the most interesting and original artists of her generation. Yet when she died in 2014 at the age of 69, she could have disappeared from view if she not spent the last few years of her life assembling a monograph about...

Read more...

theartsdesk in Bergen: Questions upon questions at Borealis Festival

There comes a point in any experimental music festival when you have to accept the silliness and go with it. And at Borealis, that point comes very early. Only a couple of hours off the plane in Bergen and we're in a pedestrian tunnel under the bus...

Read more...
Subscribe to performance art