mon 18/12/2017

punk

Albums of the Year 2017: Idles - Brutalism

In March, Bristol’s Idles drove up and down the country, leaving painfully small quantities of their debut album Brutalism in each independent record shop they went into. The lucky among us who managed to get a first-pressing copy of the beautifully...

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Inside Pussy Riot, Saatchi Gallery review - an immersive misfire

You say you want a revolution? Good luck locating one amid the tonally muddled Inside Pussy Riot. The immersive production from Les Enfants Terribles takes audiences on a promenade-style journey through the terrifyingly true story of Nadya...

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Reissue CDs Weekly: The Jam

In 1976, Polydor Records was actively considering signing the Sex Pistols. The label’s Chris Parry checked them out live in Birmingham during August. In September, he had a prime spot behind the mixing desk at the 100 Club’s punk festival from which...

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Protomartyr, Deaf Institute, Manchester review - post-punkers shake the room

Four albums in, Detroit’s Protomartyr have built up quite a following over the last five years. From the now-hard-to-find No Passion All Technique to Relatives in Descent, their lauded new album, Protomartyr’s precise post-punk has remained as...

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The Best Albums of 2017

Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why.SIMPLY THE BEST: THEARTSDESK'S FIVE-STAR REVIEWS OF 2017Alan Broadbent:...

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Iceland Airwaves 2017 review - political change at Reykjavík's major music festival

Óttarr Proppé, the stylish chap pictured above, was appointed Iceland’s Minister of Health in January this year. Last Saturday, when the shot was taken, he was on stage in his other role as the singer of HAM, whose invigorating musical blast draws a...

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Peter Perrett, Concorde 2, Brighton review - magnificent songs scorchingly rendered

These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll...

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CD: Baxter Dury - Prince of Tears

As son of the famous Blockheads frontman, Baxter Dury has always had big (new) boots to fill. Over the last 15 years though, he’s become distinguishable in his own right for his Chiswick accent and roughened-up pastoral music. Both are just as...

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Sleaford Mods, Manchester Academy review - laptop punks still have it

Sleaford Mods are not just those two sweary guys with a laptop from Nottingham. Their unique mix of acerbic, politically conscious lyrics and lo-fi earworm loops have rightfully earned them a growing and devoted following across the country. Indeed...

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Listed: 20 Punk Moments that Shook the World

Never Mind the Bollocks Here’s the Sex Pistols was issued on 28 October 1977. It’s an anniversary worth marking. Forty years is a long time and the decades between then and now have not reduced interest in the band or the punk rock maelstrom...

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Priests/Downtown Boys, Deaf Institute, Manchester review - lively political punk-fest

Both Rhode Island’s Downtown Boys, and Washington D.C.’s Priests sit at the centre of today’s feminist punk scene. As stated in a recent Downtown Boys press release, they oppose “the prison-industrial complex, racism, queerphobia, capitalism,...

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CD: Super Besse - La Nuit*

Super Besse are from the Republic of Belarus, Europe’s sole dictatorship – a country where freedom of expression and opportunities for individual self-determination are limited. As there’s little musical infrastructure in their home country, the...

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