tue 21/11/2017

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

City of Glass, Lyric Hammersmith review - ‘thrilling and enthralling Paul Auster adaptation’

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Nuclear War, Royal Court review - ‘deeply felt and haunting’

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Guards at the Taj, Bush Theatre review - ‘powerful but ethically troubling’

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Expensive Shit, Soho Theatre, review - 'strong but slender'

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Consent, National Theatre, review - thrilling revenge drama

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Don Juan in Soho, Wyndhams Theatre review - 'David Tennant is Marber-Molière playboy'

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The Kid Stays in the Picture, Royal Court, review – ‘sad, bad and sprawling’

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A Dark Night in Dalston, Park Theatre

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My Country; A Work in Progress, National Theatre

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Limehouse, Donmar Warehouse

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A Profoundly Affectionate, Passionate Devotion to Someone (–noun), Royal Court Theatr

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Ugly Lies the Bone, National Theatre

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Low Level Panic, Orange Tree Theatre

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See Me Now, Young Vic

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A Clockwork Orange, Park Theatre

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The Pitchfork Disney, Shoreditch Town Hall

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Singcircle, Barbican review - veteran ensemble bids farewell...

STIMMUNG is always an event. Stockhausen’s score calls for a ritual as much as a...

DVD: The Death of Louis XIV

Albert Serra has earned himself the directorial...

Semiramide, Royal Opera review - Rossini's Queen is bac...

It has long been a mystery why no new production of Semiramide should have been staged at...

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The Best Films Out Now

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CD: Dark They Were And Golden Eyed - Design Your Dreams

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