thu 18/04/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Further Than the Furthest Thing, Young Vic review - small island longings

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Truth's a Dog Must to Kennel, Battersea Arts Centre review - King Lear goes virtual

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Trouble in Butetown, Donmar Warehouse review - entertaining and warmhearted

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Graceland, Royal Court review - quiet desolation is too literary

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Phaedra, National Theatre review - stunning acting in stunning show

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Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

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Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

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Two Billion Beats, Orange Tree Theatre review - lively, but overly idealistic

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Sound of the Underground, Royal Court review - loud and triumphantly proud

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Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedy

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Kerry Jackson, National Theatre review - new writing nadir

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Baghdaddy, Royal Court review - Middle-Eastern magic realism

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The Sex Party, Menier Chocolate Factory review - disappointing detumescence

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Super High Resolution, Soho Theatre review - the NHS at breaking point

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Mary, Hampstead Theatre review - compelling study of power politics

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‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

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latest in today

Lisa Kaltenegger: Alien Earths: Planet Hunting in the Cosmos...

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

The Book of Clarence, review - larky jaunt through biblical...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...