sat 20/04/2024

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Roomful of Teeth, Milton Court review - mellifluous minimalism with a mild manner

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I Fagiolini, Hollingworth, Kings Place review - magnificent Monteverdi Vespers

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The Yellow Wallpaper, Lilian Baylis Studio review - a tense and intimate monodrama

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Prom 43: Endgame, BBC Scottish SO, Ryan Wigglesworth review - beautiful sounds but slow, slow drama

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Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy

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Prom 27: Wang, Hampson, BBC Symphony Orchestra, Mäkelä review - glittering night with music’s golden couple

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theartsdesk at the Voces8 Summer School - musical oasis offers opportunities for all

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Prom 17: CBSO, CBSO Chorus, Yamada review - Carmina Burana presses all the right buttons

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Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait

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Hahn, Kaleidoscope Chamber Collective, Wigmore Hall review - Americana old and new

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Estonian National Male Voice Choir, Üleoja, Kings Place review - full-throated Baltic choral music

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Bercken, Britten Sinfonia, Milton Court review - beleaguered ensemble shows its value

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Gagarin Quartets, Modulus String Quartet, Brunel Museum review - a multimedia journey into space

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National Youth Choir, Royal Albert Hall review – a spectacular jubilee

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Facade Ensemble, Collins Rice, St Margaret Pattens Church review - meditation and reflection

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Things to Come, LSO, Strobel, Barbican review - blissful visions of the future

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...