thu 18/04/2024

Guy Oddy

Articles By Guy Oddy

Album: Enter Shikari - Nothing Is True & Everything Is Possible

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Album: Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Viscerals

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Slipknot Unmasked: All Out Life, BBC iPlayer – masked metalheads reveal all

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Album: Deap Lips - Deap Lips

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Album: BTS – Map of the Soul: 7

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Napalm Death, O2 Institute, Birmingham review - the Grindcore progenitors hit the spot

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Album: Elephant Stone - Hollow

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Asking For It, Birmingham Repertory Theatre review - victim-blaming and abuse in small town Ireland

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Slipknot, Arena Birmingham review – Iowa metal-heads tear the roof off

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Album: Black Lips - Sing In A World That’s Falling Apart

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Album: Las Cobras - Selva

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Albums of the Year 2019: Imperial Wax - Gastwerk Saboteurs

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Dinosaur Pile-Up, O2 Institute, Birmingham review - grungy punk poppers end the weekend on a high

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CD: Rob Halford - Celestial

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CD: 10.000 Russos - Kompromat

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Vampire Weekend, O2 Academy, Birmingham review – clean-cut Americans fail to ignite

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The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...