sat 20/04/2024

james woodall

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Bio
James wrote (1999-2010) for the Financial Times, The Economist and Dance Europe, mainly from Berlin. His books include a biography of Jorge Luis Borges, a study of Rio's music through the life and work of Chico Buarque, and an account of the marriage of John Lennon and Yoko Ono. He's now a writer back in England.

Articles By James Woodall

Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

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The Beatles: Made on Merseyside, BBC Four review - when the Fab Four were five

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theartsdesk Q&A: Theatre Producer Elyse Dodgson

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Titus Andronicus, RSC, Barbican review - blood will out

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Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun

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The Tempest, Barbican Theatre review - sound and fury at the expense of sense

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It Was Fifty Years Ago Today! review - without a little help from their friends

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Shakespeare Trilogy, Donmar at King's Cross

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10 Questions for Director Lucy Bailey

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The Beatles: Eight Days a Week - The Touring Years

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The Girl from Ipanema: Brazil, Bossa Nova and the Beach, BBC Four

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theartsdesk at the Holland Festival

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George Martin (1926-2016), record producer and 'fifth Beatle'

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Rio+Film, Barbican

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Hot August Night: The Beatles at Shea Stadium

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The Story of The Beatles' Last Song

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Pages

latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

The Songs of Joni Mitchell, The Roundhouse review - fans (ol...

For most people’s 40th birthday celebrations, they might get a few...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...