fri 29/03/2024

Katie Colombus

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Articles By Katie Colombus

The Car Man, Royal Albert Hall review - grand scale drama and decadence

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The Great Estate, Redruth review - Cornwall's finest festival extravaganza

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ABBA Voyage, Abba Arena, London review - technical mastery and musical joy

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Sacre, Circa Contemporary Circus, Brighton Festival review - an astonishing assortment of lifts and throws, daring and strength

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The Patient Gloria, Brighton Festival review - an electric exploration of the control and manipulation of women

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Unchain Me, Brighton Festival review - Dostoevsky-inspired theatre through the streets of Brighton

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Album: Aldous Harding - Warm Chris

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Album: Jenny Hval - Classic Objects

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NDT2, Sadler's Wells review - a diverse triple bill

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Albums of the Year 2021: Dry Cleaning - New Long Leg

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Album: Adele - 30

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Laura Marling, Roundhouse review - simple and compelling

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Patti Smith, Royal Albert Hall review - a wild ride from a musical legend

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Ben Howard, Royal Festival Hall review - authentic and reassuring

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Album: Sufjan Stevens & Angelo De Augustine - A Beginner's Mind

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Rag‘n’Bone Man, Jazz Café review – powerful first post-lockdown gig

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latest in today

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...