sat 20/04/2024

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019

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Blues in the Night, Kiln Theatre review - hard times, hot tunes

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The Bridges of Madison County, Menier Chocolate Factory review - Iowan romance fizzles

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Jesus Christ Superstar, Barbican review - Andrew Lloyd Webber's musical lives again

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On Your Feet!, London Coliseum review - Gloria Estefan bio-musical hits familiar notes

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Cash Cow, Hampstead Theatre review - timely look at pushy tennis parents

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Man of La Mancha, London Coliseum review - historical work better left in the past

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Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revue

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Sweet Charity, Donmar Warehouse review - Sixties style over substance

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Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revival

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Follies, National Theatre review - the Sondheim spectacular returns, better than ever

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The American Clock, Old Vic review - Arthur Miller's musical history lesson drags

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Violet, Charing Cross Theatre review - Jeanine Tesori's faith musical is a gentle pleasure

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Aspects of Love, Southwark Playhouse review - discourse keeps passion at bay

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Fiddler on the Roof, Menier Chocolate Factory review - family matters in this sensitive musical revival

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Hadestown, National Theatre review - new folk musical is hotter than hell

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If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...