wed 24/04/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary

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Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarre

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Power of Sail, Menier Chocolate Factory review - alternately stiff and startling

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Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominates

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Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice

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Wicked Little Letters review - sweary, starry film is mostly strange

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An Enemy of the People, Duke of York's Theatre - performative and predictable

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The Hills of California, Harold Pinter Theatre - ladies' night for Jez Butterworth

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Dear Octopus, National Theatre - period rarity is a real pleasure

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Plaza Suite, Savoy Theatre review - real-life married couple brings panache and pain to period comedy

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The Color Purple review - sensational second time round for Alice Walker's novel on screen

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Best of 2023: Theatre

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Pacific Overtures, Menier Chocolate Factory review - lesser-known Sondheim scores afresh

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A Christmas Carol, The Old Vic review - older, wiser, and yet more moving

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The Witches, National Theatre review - fun and lively but where's the heart?

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Backstairs Billy, Duke of York's Theatre review - starry and gently subversive, too

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latest in today

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...