fri 15/12/2017

matt wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Belleville, Donmar Warehouse review - prickly and unnerving

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Cell Mates, Hampstead Theatre review - intriguing yet opaque

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Happy End review - grimly compelling but to what end?

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Wonder review - sweet and smart but sometimes also schmaltzy

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Network, National Theatre review - Bryan Cranston’s searing London stage debut

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Howards End, BBC One review - EM Forster adaptation is finding its footing

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Call Me By Your Name review - a star is born in a heartbreaking gay romance

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Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visuals

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Young Frankenstein review - Mel Brooks musical is blissfully bonkers

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The Glass Castle review - Woody steals the film by a wide margin

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Home Again review - Reese Witherspoon romcom is divorced from reality

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Borg/McEnroe review - Wimbledon face-off is entertaining if incomplete

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Victoria and Abdul review - Judi Dench's Queen Victoria retread battles creaky script

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Peter Hall: A Reminiscence

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Una review - 'Blackbird' adaptation loses its stage intensity

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h.Club 100 Awards: Theatre and Performance - is this a new golden age for the stage?

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latest in today

Pinocchio, National Theatre review - boy puppet lifts off, e...

From Nicholas Hytner and Alan Bennett’s wonderfully nostalgic version of The Wind in the Willows through Coram Boy, the...

The Tunnel: Vengeance, Sky Atlantic review - entente not-so-...

For the third and allegedly final time, we hasten back to the Kent coast for another outbreak of cross-Channel crime. Not all that surprisingly,...

Winnie-the-Pooh: Exploring a Classic, V&A review - nosta...

What was it about the privileged male Victorian/Edwardian British writer that led to such a fantastical outpouring of books for...

Jack and the Beanstalk, New Wimbledon Theatre review - Al Mu...

It raised some eyebrows when Al Murray announced he was to make his...

Cendrillon, RNCM, Manchester review - magic and spectacle

The Royal Northern College of Music’s production of Massenet’s Cendrillon has a particularly strong professional production team, and it...

CD: N.E.R.D - No_One Ever Really Dies

In the seven years since N.E.R.D last had an album out, Pharrell Williams’ profile, which was already massive, has achieved some sort of pop...

The Nutcracker, English National Ballet review - a thoroughl...

The familiar doesn’t have to get old. Last night at the Coliseum there were children in the boxes, adults in the circle and grandparents in the...

Bancroft, ITV review - Sarah Parish's very cold case

This week we were all meant to be gripped by a bunch of ancient geezers nicking diamonds in Hatton Gardens. The postponement of...