thu 17/08/2017

Natalie Clein

Articles By Natalie Clein

latest in today

Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell...

Hannah Gadsby ★★★★

This is Hannah Gadsby's last show, she tells us. Not because she...

King Lear, Shakespeare's Globe - Nancy Meckler's G...

Every play is a Brexit play. This much we have learnt in the year since the referendum. But in Nancy Meckler’s hands the Globe’s...

CD: Man Duo - Orbit

True to their name, Finland’s Man Duo are male and there...

No More Boys and Girls, BBC Two – baby steps lead to great l...

Whether it’s the £400,000 that separates Mishal Hussain from John Humphrys, or the 74 million miles between the metaphorical markers of Venus...

Edinburgh Festival 2017 review: Andreas Haefliger

It was an intriguing, contrast-filled programme that Swiss-born pianist Andreas Haefliger brought to...

theartsdesk Q&A: Director Peter Kosminsky, Part 1

The name will never trip off the public tongue. Millions watch his work - most recently his superb realisation of Hilary Mantel's Wolf Hall...

CD: Gogol Bordello - Seekers and Finders

As a live phenomenon Gogol Bordello are unstoppable, a crowd-whipping Balkan-...

The Majority, National Theatre review – a minority interest

A new plague is sweeping British theatre: audience participation. Instead of just sitting back and enjoying the show, your visit to a venue is now...

Edinburgh Festival and Fringe 2017 reviews round-up

Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far.

STANDUP...