thu 18/01/2018

sarah kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Human Flow review - two hours of human misery

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Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

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Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

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The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

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Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

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Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

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Basquiat: Boom for Real, Barbican review - the myth explored

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Rachel Whiteread, Tate Britain review – exceptional beauty

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Final Portrait review - utterly convincing portrayal of an artist at work

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Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

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Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

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Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

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The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

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Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

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A Handful of Dust, Whitechapel Gallery review - grime does pay

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Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

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Pages

latest in today

The Post review - Spielberg's glorious paean to print

It beggars belief that, from the moment ...

Alexander Melnikov, Wigmore Hall review - three pianos, four...

Living-museum recitals on a variety of historic instruments pose logistical problems. Telling The Arts Desk about his award-nominated CD of mostly...

All's Well That Ends Well, Sam Wanamaker Playhouse revi...

It's the people who are problematic, not the play. That's one take-away sentiment afforded by Caroline Byrne's sparky and provocative take on ...

Selma Parlour: Upright Animal, Pi Artworks review - incandes...

In the dark days of January, white cube galleries are luminous spaces. This is especially true of Pi Artworks right now: the Fitzrovia gallery is...

The best TV to watch this week

Cure the January blues with our guide to the pick of the best dramas and documentaries coming to a TV near you or already available for streaming...

Feng, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review...

Say what you like about Mirga Gražinytė-Tyla’s partnership with the ...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

CD: Tune-Yards - I Can Feel You Creep Into My Private Life

Growing up with the music of David Bowie is probably not the best grounding for being a music critic because it raises expectations unreasonably...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...

Art UK, Art of the Nation review - public art in a private s...

Art fairs are vaguely promiscuous. So much art, so many galleries, so very many curators. They’re a glut for the eye yet curiously anodyne — the...