thu 14/12/2017

thomas h green

thomas h.green's picture
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Pages

latest in today

The Tunnel: Vengeance, Sky Atlantic review - entente not-so-...

For the third and allegedly final time, we hasten back to the Kent coast for another outbreak of cross-Channel crime. Not all that surprisingly,...

The Nutcracker, English National Ballet review - a thoroughl...

The familiar doesn’t have to get old. Last night at the Coliseum there were children in the boxes, adults in the circle and grandparents in the...

Bancroft, ITV review - Sarah Parish's very cold case

This week we were all meant to be gripped by a bunch of ancient geezers nicking diamonds in Hatton Gardens. The postponement of...

Misalliance, Orange Tree Theatre review - smashing Edwardian...

If this play really were “A Debate in One Sitting” as its author called it in 1909, it would have sunk without trace. “Talk, talk, talk, talk”,...

The best TV to watch this week

Sick of the early onset of Christmas? Just watch television instead (though preferably not the news). Try these out for size.

...

Albums of the Year 2017: Nick Mulvey - Wake Up Now

For the past few years my Album of the Year has leapt out at me, craved attention, stood out from the competition. With no disrespect to Nick...

The Twilight Zone, Almeida Theatre review - from hokum to hu...

Director Richard Jones watched all 156 episodes of The Twilight Zone as research for this...

Schumann Street, Spitalfields Festival review - illumination...

An icy, wet wind snuck under the door of house number 8 in Fournier Street, where Uri Caine, bundled in coat and woolly hat, conjured...

Antony and Cleopatra, RSC, Barbican review - rising grandeur

Is there a key to “infinite variety”? The challenge of Cleopatra is to convey the sheer fullness of the role, the sense that it defines,...