theartsdesk com, first with arts reviews, news and interviews
James Saynor
Saturday, 09 December 2023
After a few years of cinema, the wow factor of seeing actual things moving about on a screen wore off a bit and showmen saw that jump cuts and stop-motion – the dawn of animation...
Graham Rickson
Friday, 08 December 2023
Winter Breviary St Martin’s Voices/Andrew Earis (Resonus)The music at the St Martin-in-the-Fields in London has been reinvigorated in the last couple of years by new...
Issy Brooks-Ward
Friday, 08 December 2023
‘Death, as a general statement, is so easy of utterance, of belief’, wrote Amy Levy, ‘it is only when we come face to face with it that we find the great mystery so cruelly hard...
Saskia Baron
Friday, 08 December 2023
There’s a rich seam of folk stories about changelings, infants snatched from home and replaced with a substitute child, to the horror and bewilderment of their parents. The myth...
Katie Colombus
Friday, 08 December 2023
I honestly never thought I'd add a Cher song to my painstakingly curated Christmas Spotify playlist. But after listening to the ultimate diva's new album entitled simply, ...
David Nice
Thursday, 07 December 2023
It could have been a winner: a charismatic star soprano of great emotional and interpretative intelligence, a top pianist given a little space to shine on his own, a programme...
Tim Cumming
Thursday, 07 December 2023
The cat in the hat with the mellifluous voice delivers his Christmas Wish for the festive season, his first Christmas album...
Ed Vulliamy
Wednesday, 06 December 2023
A decade has passed since Paul Lewis concluded an endeavour of a kind never previously undertaken: to perform, over two and...
Heather Neill
Wednesday, 06 December 2023
As the audience enters, thick mist envelopes the thrust stage and jazz music fills the theatre. The set, designed by Moi...
Nick Hasted
Wednesday, 06 December 2023
The Boxing Day release of Michael Mann’s first feature in eight years, Ferrari, finally follows up Blackhat, a Chris...
Adam Sweeting
Tuesday, 05 December 2023
Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild...
Bernard Hughes
Tuesday, 05 December 2023
There’s a game called Whamageddon, where people see how deep into December they can go without hearing “Last Christmas”. I’m...
Helen Hawkins
Tuesday, 05 December 2023
Kwame Owusu’s 55-minute one-hander does just what it says on the tin: it features a young student who dreams he is drowning...
Helen Hawkins
Monday, 04 December 2023
A sun deck with seven pale-green padded loungers is the latest setting for the latest National Theatre premiere from ...
David Nice
Monday, 04 December 2023
If ever a marriage was made in heaven, it would have to be the one between Lucy Crowe’s beleaguered Queen Rodelinda and...
Gary Naylor
Monday, 04 December 2023
It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same...
Natalia Franklin Pierce
Monday, 04 December 2023
Despite my double-barrelled surname (my parents weren't married when I was born – so I was given both their names), a career...
Liz Thomson
Monday, 04 December 2023
Down memory lane, taking us back some six decades to the Buffalo Springfield, the latest Neil Young album's almost 50...
Kieron Tyler
Sunday, 03 December 2023
Myriam Gendron's debut album Not So Deep As A Well was originally released in 2014 by Feeding Tube, a US label run by the...
tv
Kin, BBC One review - in Dublin's not-so-fair city
Superb cast and powerful writing fuel this gripping gangland drama
Boat Story, BBC One review - once upon a time in Yorkshire
New Williams brothers thriller is violent, far-fetched and extremely watchable
The Crown, Season 6, Netflix review - royal epic in a vain search for authenticity
It looks like news photos coming to life, but the dialogue and concept still jar
film
Monica review - sombre American drama
Slow moving story about a trans woman reconciling with her family
classical
Natalie Dessay, Philippe Cassard, Milton Court review - flashes of magic
More downtime than expected in an intelligent programme
Paul Lewis, Wigmore Hall review - Schubert sonatas revisited
A meditation on how the pianist handles what he calls 'inconsequentiality'
opera
Rodelinda, The English Concert, Bicket, Saffron Hall review - perfect team helps us stay the long Handel course
Saffron Hall celebrates its 10th anniversary in the greatest possible style
Gazzaniga's Don Giovanni, Royal College of Music review - a modest one-acter overloaded
Good young singers get more opportunities than the actual work offers
Jephtha, Royal Opera review - uncomfortable sacrifice oratorio not seismic enough
Sobriety and darkness eclipse Handel's dramatic vividness, despite strong performances
theatre
The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival
Unsettling investigation of patriarchal family and sexual relationships has uneven force
Dreaming and Drowning, Bush Theatre - dense and intense monologue about Black queer identity
Terrific showcase for writer-director Kwame Owusu and his performer
Infinite Life, National Theatre review - beguiling new comedy about a world of pain
Annie Baker delivers a richly satisfying piece about hungry women
dance
The Dante Project, Royal Ballet review - brave but flawed take on the Divine Comedy returns
Hell and Purgatory get vivid if diffuse music from Thomas Adès, but Heaven is pallid
The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and com
An attempt to amplify a playscript with dance suggests the play should be left to speak for itself
Anemoi / The Cellist, Royal Ballet review - a feast of music in a neat double bill
Rachmaninov and Elgar take the laurels in a brace of prize-winning one-act ballets
comedy
Trevor Noah: Off the Record, O2 review - welcome return to standup for the polyglot motormouth
Back on tour, the former TV host has lost none of his charisma and charm
Michael McIntyre, Brighton Centre review - observational everyman
Jovial comic's first tour in five years
Books
Mathias Énard: The Annual Banquet of the Gravediggers' Guild review - a man of infinite death
Rendered in sprawling English by Frank Wynne, Énard delivers a modern morality tale teeming with morbid excess
Anne Michaels: Held review - one story across time
Fragments span the genration gap in this daring family saga of inheritance and trauma
Ishion Hutchinson: School of Instructions review - learning against estrangement
A vivid eulogy for the Jamaican soldiers of the British West Indies Regiment
visual arts
Mark Rothko, Fondation Louis Vuitton, Paris review - a show well worth the trip across the Channel
Abstraction with emotion and soul in a landmark retrospective
Women in Revolt!, Tate Britain review - a super important if overwhelming show
Women protesting with all their might in both art and life
A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity
Thirty-six African artists reconnect with their heritage in dramatic and moving images
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