mon 18/10/2021

theartsdesk com, first with arts reviews, news and interviews

David Nice
Monday, 18 October 2021
Neo-Nazis held a Trafalgar Square rally under the banner "Free Britain from Jewish Control" in the year of my birth; I had no idea until I watched Ridley Road. Most of us know...
Helen Hawkins
Monday, 18 October 2021
“You can’t kick a cow in Leenane without some bastard holding a grudge for 20 years,” sighs Pato Dooley (Adam Best) prophetically; he has already started making his escape from...
Graham Rickson
Monday, 18 October 2021
Leonard Bernstein’s one-act opera Trouble in Tahiti enjoyed a relatively trouble-free gestation, at least compared to his other stage works. Its seven short scenes last around 50...
Bernard Hughes
Monday, 18 October 2021
The Conway Hall in London has hosted chamber music concerts since it was built in 1929, and for 40 years this included a composition prize, in abeyance since the late 1970s. This...
Harry Thorfinn-George
Monday, 18 October 2021
From underground curiosity to cult icon, now label head and superstar, Atlanta’s Young Thug has continued to reinvent himself, as well as rap at large, for the better part of a...
Kieron Tyler
Sunday, 17 October 2021
Between August 1966 and November 1967, The Syn played 36 shows at London’s high-profile Marquee Club. In June and September 1967 they issued two singles on the happening Decca...
Mark Kidel
Sunday, 17 October 2021
One of those films weighed down by a considerable reputation, La Dolce Vita (1960) is rarely taken as seriously as it should...
Jenny Gilbert
Saturday, 16 October 2021
Unless you happen to be a student of Italian language or culture, the significance of the 14th-century poet Dante Alighieri’...
Ismene Brown
Saturday, 16 October 2021
The cherry orchard in Anton Chekhov’s eponymous play is a classic MacGuffin, its existence a reason to stir the sorts of...
Graham Rickson
Saturday, 16 October 2021
 Leo Sowerby: Paul Whiteman Commissions & other early works Andy Baker Orchestra, Avalon String Quartet (Cedille)...
Kathryn Reilly
Saturday, 16 October 2021
Wes Anderson and Jarvis Cocker do 1960s French pop – this frothy confection couldn’t be any more “art school” if it were...
Aleks Sierz
Friday, 15 October 2021
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening lines, “When shall we three...
Thomas H Green
Friday, 15 October 2021
There is a three song segment midway through Manic Street Preachers’ set which suddenly ramps everything up. For this brief...
David Nice
Friday, 15 October 2021
Returning to LSO St Luke’s, formerly a beacon in the darkness of semi-lockdown for the lucky few allowed to feast upon the...
Matt Wolf
Friday, 15 October 2021
"I can't sleep": So goes the fateful opening line of White Noise, the Suzan-Lori Parks play disturbing enough to spark many...
Nick Hasted
Friday, 15 October 2021
Chris Martin has talked, not for the first time, of this finally being the Coldplay era of “no rules or fear”. Swedish pop...
Joe Muggs
Thursday, 14 October 2021
This record is a heck of a metatextual experience to listen to. In releasing his debut album, 24 year old Finneas O’Connell...
Jenny Gilbert
Wednesday, 13 October 2021
Two households, both alike in dignity … and both launching their respective seasons with a production of Kenneth MacMillan’s...
Jonathan Geddes
Wednesday, 13 October 2021
Time waits for no band, as Maximo Park’s lively singer Paul Smith opined early into his band’s set. “I am young and I am...
 

FIRST PERSON: RACHEL O'RIORDAN on 'The Beauty Queen of Leenane'

★★★ MACBETH, ALMEIDA THEATRE Vivid, but much too long

★★★★ THE CHERRY ORCHARD, WINDSOR THEATRE ROYAL Ian McKellen's scene-stealing comic act is worth the ticket

★★★★★ BLU-RAY: LA DOLCE VITA Fellini's prescient vision of a paparazzi world

CLASSICAL CDS An American original, zesty classical quartets and new music for piano

★★★★ THE DANTE PROJECT, ROYAL BALLET A towering achievement

★★★★ JARVIS COCKER - CHANSONS D'ENNUI TIP-TOP An amusing French fancy with a soupçon of inevitability

disc of the day

Album: Young Thug - Punk

Different eras of Young Thug come together nicely on long-awaited new album

tv

Ridley Road, BBC One review - Jewish community fights Nazi nightmare in 1960s London

Enlightenment about a resurgence of English Fascism wrapped up in a well-acted thriller

DVD/Blu-ray: Maigret - The Complete Series

Entertaining, idiomatic Simenon adaptation, brilliantly cast

Thomas Hardy: Fate, Exclusion and Tragedy, Sky Arts review – too much and not enough

Programme does its best to shine a light on the bleak Wessex writer

film

Blu-ray: La Dolce Vita

Fellini's prescient vision of a paparazzi-dominated world

The Velvet Underground review - Todd Haynes tunnels through band history

Ingeniously composed documentary portrait, with John Cale the definitive star

Blu-ray: The Lighthouse (Mayak)

Subdued, elegiac meditation on wartime life in the Caucasus

new music

Album: Young Thug - Punk

Different eras of Young Thug come together nicely on long-awaited new album

Music Reissues Weekly: Fire - Father's Name Is Dad, Flowerman - Rare Blooms From The Syn

Definitive statements on the British psychedelic contenders

Album: Jarvis Cocker – Chansons d’Ennui Tip-Top

An amusing French fancy with a soupçon of inevitability

classical

Clements Prize, Conway Hall review - newly-written string trios in competition

Varied works by young composers get a sympathetic reading

Classical CDs: Rediscovered orchestral jazz, natural trumpets and non-seasonal chamber music

An American original, zesty classical quartets and new music for piano

Tamestit, LSO, Ticciati, LSO St Luke's review - viola as chameleon, palpitating Brahms

Razor-sharp Walton complements an airborne, detailed account of a great symphony

opera

Bernstein Double Bill, Opera North review - fractured relationships in song and dance

Heartbreak and strife from a pair of Leeds institutions

Don Pasquale, Glyndebourne Tour review - winning comeback for a sturdy veteran

Sweet spots abound in Donizetti's much-loved sugar-daddy romp

First Person: director Frederic Wake-Walker on Glyndebourne's new 'Fidelio'

Tracing the problems of staging Beethoven's only opera over five years

theatre

The Cherry Orchard, Windsor Theatre Royal review - Tolstoy meets Mrs Two Soups
Ian McKellen's scene-stealing is not the only reason to see Chekhov's comedy
Macbeth, Almeida Theatre review – vivid, but much too long
Saoirse Ronan makes her UK stage debut in Yaël Farber’s testosterone-fest

dance

Bernstein Double Bill, Opera North review - fractured relationships in song and dance

Heartbreak and strife from a pair of Leeds institutions

The Dante Project, Royal Ballet review - a towering achievement

A stupendous score by Thomas Adès powers this inspiring undertaking

comedy

Blithe Spirit, Harold Pinter Theatre review - an amusing, if dated, revival of the Coward classic

Jennifer Saunders delivers a fine turn as the celebrated Madame Arcati

Anuvab Pal, Soho Theatre review - Empire and Bollywood collide

Shaggy dog story with some history thrown in

Books

Mary Wellesley: Hidden Hands review - passion in the parchment

Medieval manuscripts and their forgotten artist-authors come to life

Marcin Wicha: Things I Didn’t Throw Out review - the stories told by stacks of stuff

Connecting a mother's helpless love of things with questions of presence and personhood

Jonathan Franzen: Crossroads review - can goodness ever be its own reward?

The first volume of Franzen's new family saga leaves you wanting more

latest comments

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