fri 16/05/2025

theartsdesk com, first with arts reviews, news and interviews

Theartsdesk
Wednesday, 01 October 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic...
James Saynor
Saturday, 17 May 2025
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater” when she was growing up in the...
Thomas H Green
Friday, 16 May 2025
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on Spotify”, it’s also a great time for...
Adam Sweeting
Friday, 16 May 2025
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The Thick of It, Foyle’s War, Ashes to...
David Nice
Friday, 16 May 2025
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows them by heart, has bags of...
Graham Fuller
Friday, 16 May 2025
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest Preserve in upstate New York. A putative indie...
Saskia Baron
Friday, 16 May 2025
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-...
Ibi Keita
Friday, 16 May 2025
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something...
Sebastian Scotney
Thursday, 15 May 2025
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Tim Cumming
Thursday, 15 May 2025
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose...
Rachel Halliburton
Thursday, 15 May 2025
Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three...
Veronica Lee
Thursday, 15 May 2025
From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As...
Guy Oddy
Thursday, 15 May 2025
Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It...
Helen Hawkins
Wednesday, 14 May 2025
There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...
David Nice
Wednesday, 14 May 2025
William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate...
Thomas H Green
Wednesday, 14 May 2025
Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster...
Bernard Hughes
Tuesday, 13 May 2025
There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a...
Jonathan Geddes
Tuesday, 13 May 2025
According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking...
Veronica Lee
Tuesday, 13 May 2025
Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar...

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

 

★★★★ KARIM SAID, LEIGHTON HOUSE The Jordanian pianist ventures from Byrd to Schoenberg

★★★★★ HERE WE ARE, NATIONAL THEATRE Sondheim's sensational swan song

★★★★★ SUPERGRASS, BARROWLAND, GLASGOW The Oxford group's revival of their debut album fizzed with excitement

★★★ ZOE LYONS, TOURING Warm and witty take on finding contentment

★★★★ RIEFENSTAHL - Fascinating fascism? Portrait of the Nazis' favourite film-maker

★★★★★ THE LAST MUSICIAN OF AUSCHWITZ A haunting testament

ROOTS ROCKING ZIMBABWE Exhaustive guide to how and why a music scene evolved

★★★★ PUP, SWG3, GLASGOW Controlled chaos from Canadian punks

disc of the day

Album: Rico Nasty - LETHAL

From chaos to control, Rico Nasty trades bite for balance

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

theartsdesk Q&A: Zoë Telford on playing a stressed-out psychiatrist in ITV's 'Malpractice'

She nearly became a dancer, but now she's one of TV's most familiar faces

The Trunk, Netflix review - stylish, noir-ish Korean drama wrapped around a beguiling love story

Unusual psychological study of a stranger paid to save a toxic marriage

Malpractice, ITV1, Series 2 review - fear and loathing in the psychiatric unit

Powerful return of Grace Ofori-Attah's scathing medical drama

film

Magic Farm review - numpties from the Nineties

A comedy about youth TV putting trends above truth

Good One review - a life lesson in the wild with her dad and his pal

A wise-beyond-her-years teen discovers male limitations in a deft indie drama

E.1027 - Eileen Gray and the House by the Sea review - dull docu-fiction take on the designer-architect

Iconic Irish modernist Eileen Gray gets an artsy and overly reverential appraisal

new music

The Great Escape Festival 2025, Brighton review - a dip into Thursday

Running the gamut from Japanese hip-house to Welsh LGBT stadium pop

Album: Rico Nasty - LETHAL

From chaos to control, Rico Nasty trades bite for balance

Lucy Farrell, Catherine MacLellan, The Green Note review - sublime frequencies

Two singer songwriters in their prime deliver a double header showcase in Camden

classical

Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash in complete Ravel

Panache but little inner serenity in a risky three-part marathon

Karim Said, Leighton House review - adventures from Byrd to Schoenberg

The Jordanian pianist presents a magic carpet of dizzyingly contrasting styles

Stile Antico, Wigmore Hall review - a glorious birthday celebration

Early music group passes a milestone still at the top of its game

opera

Help to give theartsdesk a future!

Support our GoFundMe appeal

Giulio Cesare, The English Concert, Bicket, Barbican review - 10s across the board in perfect Handel

When you get total musicality from everyone involved, there’s nothing better

The Excursions of Mr Brouček, LSO, Rattle, Barbican review - sensuousness, fire and comedy in perfect balance

Janáček’s wacky space-and-time-travel opera glows and grips in every bar

dance

Help to give theartsdesk a future!

Support our GoFundMe appeal

The Forsythe Programme, English National Ballet review - brains, beauty and bravura

Once again the veteran choreographer and maverick William Forsythe raises ENB's game

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

A book about navigating grief feeds into unusual and compelling dance theatre

comedy

Help to give theartsdesk a future!

Support our GoFundMe appeal

Zoe Lyons, Touring - midlife, without the crisis

Warm and witty take on finding contentment

Greg Davies, Brighton Dome review - chocolate bars and errant bumholes

Taskmaster's first tour in seven years is a joy

Books

Help to give theartsdesk a future!

Support our GoFundMe appeal

Zsuzsanna Gahse: Mountainish review - seeking refuge

Notes on danger and dialogue in the shadow of the Swiss Alps

latest comments

Pretty vile and unfair review - especially the...

And with their best song 'How Does It Feel?'. x

Seen it last night in NYC, was a bit of a let...

I think the series portrays a parallel vision...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters