sat 16/02/2019

theartsdesk com, first with arts reviews, news and interviews

Jasper Rees
Saturday, 16 February 2019
There is nothing quite like the Iffland-Ring in this country. The property of the Austrian state, for two centuries it has been awarded to the most important German-speaking actor...
Matt Wolf
Saturday, 16 February 2019
The Sunday Times war correspondent Marie Colvin lived such a fearless life that it's a shame this celluloid biopic isn't correspondingly brave. Sincere to a fault and bolstered by...
Bernard Hughes
Saturday, 16 February 2019
The Venezuelan pianist and composer Gabriela Montero is an outspoken advocate for political change in her country, using her musical standing as a platform from which to highlight...
Mark Kidel
Saturday, 16 February 2019
Abdellatif Kechiche, the Tunisian-French director, is perhaps best known for the lengthy and explicit sex scenes in La vie d’Adèle (Blue is the Warmest Colour). His latest film...
Stephen Walsh
Saturday, 16 February 2019
I last saw this Magic Flute, directed by Dominic Cooke, when it was new, some 14 years ago, and I remember it mainly, I’m afraid, for its lack of visual charm. Nothing much has...
Graham Rickson
Saturday, 16 February 2019
 Mahler: Symphony No 6 Berlin Philharmonic Orchestra/Sir Simon Rattle (Berliner Philharmoniker Recordings)This lavish box set documents Sir Simon Rattle’s final appearance as...
Katie Colombus
Saturday, 16 February 2019
Avril Lavigne was the original Punk Pop Queen. Fearless, feisty and perfectly fitting for the early noughties as the...
Rachel Halliburton
Friday, 15 February 2019
Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured...
Nick Hasted
Friday, 15 February 2019
The Arthurian legend’s tight fit as a Brexit allegory perhaps proves how timeless it is as, buried and bound in the earth by...
Marina Vaizey
Friday, 15 February 2019
The power of seeing was the bedrock of John Ruskin’s philosophy. In the bicentenary of his birth, a revelatory exhibition at...
Graham Fuller
Friday, 15 February 2019
Tides tells of fortysomething angst and camaraderie, though “tells” might be an exaggeration. In a concerted attempt to make...
Marianka Swain
Thursday, 14 February 2019
This year’s unofficial Arthur Miller season – following The Price and ahead of All My Sons at the Old Vic and Death of a...
Sebastian Scotney
Thursday, 14 February 2019
“My first recital in about a gazillion years in London!” wrote Sarah Chang a week ago for her 140,000 Twitter followers. “I...
Matt Wolf
Thursday, 14 February 2019
Women spend a lot of time gazing at themselves in the mirror in the Belgian auteur director Ivo van Hove's latest stage-to-...
Guy Oddy
Thursday, 14 February 2019
Chaka Khan’s last album, 2007’s Funk This was billed as the Queen of Funk’s comeback after her 80s and 90s purple patch. But...
Thomas H Green
Wednesday, 13 February 2019
The striking cover for the Brighton Festival 2019 programme shouts out loud who this year’s Guest Director is. Silhouetted...
Gavin Dixon
Wednesday, 13 February 2019
The Monteverdi Vespers are usually a grand affair, but Harry Christophers showed they can work just as well on a smaller...
Jasper Rees
Wednesday, 13 February 2019
When the third series ended with a car crash, I did wonder whether Catastrophe (Channel 4) should maybe think about calling...
Adam Sweeting
Wednesday, 13 February 2019
And so back to the windswept landscapes of the Shetland archipelago, where stoical DI Jimmy Perez is still keeping the bad...

★★ SARAH CHANG, ASHLEY WASS, CADOGAN HALL Virtuoso's disturbing 'inner game'

★★★ THE AMERICAN CLOCK, OLD VIC Arthur Miller's musical history lesson drags

★★★★★ JOHN RUSKIN: THE POWER OF SEEING Inside the mind of a visionary

BRIGHTON FESTIVAL LAUNCHES WITH GUEST DIRECTOR ROKIA TRAORÉ South-coast's arts extravaganza reveals its 2019 line-up

★★★★ THE KID WHO WOULD BE KING Joe Cornish's yearning Arthurian parable

disc of the day

CD: Avril Lavigne - Head Above Water

One strong song, but elsewhere the sound doesn't seem to have evolved

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Catastrophe, Channel 4, series 4 finale review - sitcom saves the best till last

Sharon Horgan and Rob Delaney go out on a grief-stricken, hope-filled cliffhanger

Shetland, Series 5, BBC One review - uneven start to new season

Dismembered bodies, drugs and sex-trafficking... in Shetland?

Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copper

Dexterous detection and psychological insights in satisfying season opener


Q&A Special: Actor Bruno Ganz on playing Hitler

The Swiss actor, who has died aged 77, was the first to play the Führer in a lead role in German

A Private War review - Rosamund Pike burns with passion in well-meaning biopic

A risk-loving journalist is remembered via a safe-seeming film

new music

CD: Avril Lavigne - Head Above Water

One strong song, but elsewhere the sound doesn't seem to have evolved

CD: Chaka Khan - Hello Happiness

The Queen of Funk gets down with her latest comeback

Brighton Festival 2019 launches with Guest Director Rokia Traoré

The south-coast's arts extravaganza reveals its 2019 line-up


The Magic Flute, Welsh National Opera review - charming to hear, charmless to look at

Mozart's pantomime about Nature and Reason stuck in a box

Brighton Festival 2019 launches with Guest Director Rokia Traoré

The south-coast's arts extravaganza reveals its 2019 line-up

Akhnaten, English National Opera review - still a mesmerising spectacle

ENO's most successful contemporary opera ever makes a triumphant return


Berberian Sound Studio, Donmar Warehouse review – improves the original
This dark comedy raises disturbing questions about sound and intimacy
The American Clock, Old Vic review - Arthur Miller's musical history lesson drags
Rachel Chavkin's creative revival can't quite tame this sprawling epic
All About Eve, Noel Coward Theatre review - less a bumpy night than an erratically arresting one
Gillian Anderson and a superb Lily James headline Ivo van Hove's latest celluloid deconstruction


Brighton Festival 2019 launches with Guest Director Rokia Traoré

The south-coast's arts extravaganza reveals its 2019 line-up

Swan Lake, English National Ballet, London Coliseum review - a solid, go-to production

Traditional stagings don't come much more satisfying than Derek Deane's for ENB

Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

Refreshed classic production delights with energy, storytelling and live Tchaikovsky


Brighton Festival 2019 launches with Guest Director Rokia Traoré

The south-coast's arts extravaganza reveals its 2019 line-up

Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

Immersive show examines male-female engagement in the #MeToo era


Battlefield V review - WWII on an epic scale

The veteran series returns for another ambitious tour of duty

Red Dead Redemption 2 review - the cowboy drama makes a triumphant return

An ambitious Wild West odyssey that matches epic scale with benchmark skill

visual arts

Don McCullin, Tate Britain review - beastliness made beautiful

The darkest, most compelling exhibition you are ever likely to see

Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

A major retrospective of the French post-impressionist is huge, but unilluminating

latest comments

Yeah, the thing you have to understand about...

Another British show ruined by it's rush to...

And why was Dan the man, on a mission to Shetland...

On what grounds is Akhnaten ENO's most successful...

Glad I didn't read this before watching the...


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