theartsdesk com, first with arts reviews, news and interviews
Nick Hasted
Saturday, 25 March 2023
Francisca Alegría’s debut is an eco-fable about mourning and enduring love, for a mother and Mother Earth. We start by Chile’s River Cruces, where a mill pumps poison, and the...
Sarah Kent
Saturday, 25 March 2023
What a feast! Congratulations are due to the National Gallery for its latest blockbuster After Impressionism: Inventing Modern Art. Such a superb collection of modern masters is...
Adam Sweeting
Saturday, 25 March 2023
Since the first John Wick film from 2014 became an unexpected hit, the Wick franchise has blossomed into a booming business empire, also including comic books, video games and...
Aleks Sierz
Saturday, 25 March 2023
The act of idol worship is, at one and the same time, both distantly ancient and compellingly contemporary. Whether it is Superman, Wonder Woman or Black Panther, our love of the...
Hannah Hutchings-Georgiou
Saturday, 25 March 2023
A small cottage vanishes into a surrounding bay, its walls apparitional against pale waters. In the background, a pier juts out into the ocean, equidistant to sea-green hills and...
Tim Cumming
Saturday, 25 March 2023
Ten years ago, three leading young English folk musicians got together in a room and swapped some tunes – Rob Harbron, whose English concertina graced the likes of The Remnant...
David Nice
Friday, 24 March 2023
Anna Clyne’s engaging First Person here led me to two of her works in a Philharmonia rainbow. She curated a woodwind-based...
Demetrios Matheou
Friday, 24 March 2023
It starts innocuously, with paint. A woman is sitting in a hardware store, studying a travel guide for colour ideas, while...
Adam Sweeting
Friday, 24 March 2023
Director Brandon Cronenberg has inherited his father David’s eye for the twisted and the sinister. After the creepy mind-...
Thomas H Green
Friday, 24 March 2023
Compared to her peers, Lana del Rey is mightily prolific. This is her eighth album since her breakthough 11 years ago (her...
Guy Oddy
Thursday, 23 March 2023
“Why do we come to concerts?” asks Brett Anderson, Suede’s ringmaster and vocalist, before launching into an acoustic...
First Person: Donatella Flick on why the conducting competition in her name is needed more than ever
Donatella Flick
Thursday, 23 March 2023
What are the qualities that make a great conductor? It’s something that has been debated for years, brought into focus...
Joe Muggs
Thursday, 23 March 2023
Depeche Mode’s Andy “Fletch” Fletcher, who died in May last year, was generally held to contribute to the dynamic of the...
Rachel Halliburton
Wednesday, 22 March 2023
Shimmeringly urbane, shifting effortlessly from intricate agility to muscular intensity, the music of the 18th century...
Anna Clyne
Wednesday, 22 March 2023
Collaboration fuels a lot of my music – I love the interaction that takes me outside of my natural tendencies – it’s a...
Kieron Tyler
Wednesday, 22 March 2023
“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’...
Thomas H Green
Wednesday, 22 March 2023
There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie rock,...
David Nice
Tuesday, 21 March 2023
Nearly 40 years old, Andrei Serban’s Royal Opera Turandot feels like a gilded relic (I felt like a relic myself on learning...
Simon Thompson
Tuesday, 21 March 2023
Two women featured prominently in this programme; the one a composer and the other a conductor.To the composer first. Long...
tv
Endeavour: The Final Episode, ITV1 review - the final bow for Oxford's finest
The curtain falls on a milestone in TV detection
MH370: The Plane That Disappeared, Netflix review - a field day for conspiracy theorists
Will we ever know what really happened to the vanished Malaysian airliner?
The Great British Bake Off Musical, Noel Coward Theatre review - blue-chip cast lift daft confection
It's more adult panto than mature musical, with the sauce liberally ladled on
film
The Cow Who Sang a Song into the Future review - a sensually strange eco-fable
Chilean debut mixes magic realism, family battles and soulful cattle
John Wick: Chapter 4 review - is this the El Cid of shoot-'em-up movies?
Keanu Reeves's Zen assassin scales new heights of awesomeness
1976 review - dark, chilly Chilean thriller
A good deed puts a middle class woman on the wrong side of the dictatorship
new music
Album: Lana Del Rey - Did You Know That There's a Tunnel Under Ocean Blvd
The latest from the sultry American singer is overlong but contains gold
Suede, Symphony Hall, Birmingham review - a messianic performance from Britpop's originators
A sold-out Symphony Hall goes bonkers for Brett Anderson’s mob
classical
Fröst, Philharmonia, Lazarova, Kuusisto, Southbank Centre review - congenial new works complemented by live-wire classics
Two concerts revolving around composer Anna Clyne offer plenty of other surprises
First Person: Donatella Flick on why the conducting competition in her name is needed more than ever
The 17th Donatella Flick LSO Conducting Competition reaches its final tonight
The Chevalier, St Martin-in-the-Fields review - virtuoso journey into a shamefully neglected past
Music is the star in this retelling of the remarkable life of black composer Joseph Bologne
opera
Turandot, Royal Opera review - spectacle and sound wow in this significant revival
Pappano marshals the glitter and a fine cast delivers the goods
La bella dormente nel bosco/L'enfant et les sortilèges, Royal College of Music review - pure theatrical magic
Fairytale operas by Respighi and Ravel come together to create enchantment and danger
Blaze of Glory!, Welsh National Opera review - sparkling entertainment up the valleys
A local tale told with precision, wit and affection
theatre
Black Superhero, Royal Court review - ambitious, but messy
Debut play about sex, race and queerness is a disappointing mishmash
Dance of Death, National Theatre of Norway, Coronet Theatre review - straight for the jugular
White-heat Strindberg from Norwegian actors undeterred by technical hitches
The Way Old Friends Do, Park Theatre review - sweet, but flimsy
Mark Gatiss and Ian Hallard’s ABBA tribute is fun, but clunky
dance
'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023
Remembering the unique ballerina who injected me with her poison
Turn It Out with Tiler Peck, Sadler's Wells review - America's ballet wonder-woman raises the barre
On her UK solo debut, New York City Ballet’s queen of speed gives audiences a wild ride
Woolf Works, Royal Ballet review - Wayne McGregor's modern classic impresses all over again
Alessandra Ferri returns as the moving focus of this powerful piece
comedy
Bridget Christie, The Haymarket, Basingstoke review - making the menopause funny
Turning 50 can be fun
Books
Margaret Atwood: Old Babes in the Wood review - bookending the short story
Semi-autobiographical tales of loss and love sit oddly among snails and aliens
Janet Malcolm: Still Pictures - On Photography and Memory review - a rare glimpse at a guarded personal history
Old photographs catalyse this evasive and poignant book of memoirs
Nicole Flattery: Nothing Special review - returning to the Factory
The social isolation of Andy Warhol’s typist
visual arts
After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force
But many names are missing from this international survey
Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed
A journey of artistic and personal discovery like no other
The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity
An aged, would-be seductress is reunited with her reluctant partner
latest comments
I agree with you. With all my heart.
Not a single song out of the 40 is mentioned....
Great critique
I'm no great U2 fan but they deserve better than...
This is a pathetic display. I would think the...
I also loved the way that the “who are the real...
Seymour's silent scream of pain in The Invitation...
Thanks a lot for the crap review. You obviously...