thu 21/02/2019

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Markie Robson-Scott
Thursday, 21 February 2019
An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his parents. Why? For giving birth to him when they’re...
David Nice
Thursday, 21 February 2019
Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a Vienna Philharmonic Mahler Ninth Symphony, least of all under the...
Matt Wolf
Thursday, 21 February 2019
Just when you think you may have heard (and seen) enough of Donald J Trump to last a lifetime, along comes Anne Washburn's ceaselessly smart and tantalising Shipwreck to focus...
Tim Cornwell
Thursday, 21 February 2019
Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy, a wild spin on the quasi-ubiquitous (...
Steve O'Rourke
Thursday, 21 February 2019
Did you play videogames back in 2010? If you did, there’s a reasonable chance you played Crackdown 2. Only a reasonable chance as the game was just on Xbox 360 – this was back in...
Laura De Lisle
Thursday, 21 February 2019
Bodies is the latest in Two's Company's series of what they deem "forgotten masterworks", this one making a less-than-triumphant return to the London stage after almost 40 years...
Tom Birchenough
Thursday, 21 February 2019
Bill Morrison’s Dawson City: Frozen Time is an intoxicating cinematic collage-compilation that embraces social history – in...
Adam Sweeting
Wednesday, 20 February 2019
It was TV gold-dust. The original seven series of Only Fools and Horses were broadcast on BBC One from 1981-1991, and a...
Miranda Heggie
Wednesday, 20 February 2019
For its first ever performance in this country, the Symphony Orchestra of India - formed in only 2006 - kicked off its UK...
Saskia Baron
Wednesday, 20 February 2019
Time once again to roll out that line about the road to hell being paved with good intentions. The creators of All in a Row...
Owen Richards
Wednesday, 20 February 2019
A British boys boarding school in the 1980s. Not the most obvious setting for a romantic comedy, especially one based on the...
Demetrios Matheou
Wednesday, 20 February 2019
When the world is as crazy as it is right now, its political life dominated by dolts and villains, it needs a new kind of...
Veronica Lee
Wednesday, 20 February 2019
David Ireland is a playwright who likes to jolt his audience and Cyprus Avenue, a dark absurdist comedy about an Ulster...
Bernard Hughes
Wednesday, 20 February 2019
The first visual impression of Monday’s Wigmore Hall song recital was of the marked height difference between Irish soprano...
Sebastian Scotney
Wednesday, 20 February 2019
Joshua Redman's Still Dreaming Quartet is a project surrounded by an abundance of facts, context and backstories. Jazz folk...
Mark Kidel
Wednesday, 20 February 2019
John Mayall is not just the dean of British blues fans, but he has done as much for the genre as anyone else around, from...
David Nice
Tuesday, 19 February 2019
Ripeness is sometimes all. 80-year-old Martin Sherman's recent play, receiving its UK premiere at canny Park Theatre, says...
Boyd Tonkin
Tuesday, 19 February 2019
The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way. Russian...
Matt Wolf
Tuesday, 19 February 2019
Against the grimmest of backdrops, generosity and even grace can be possible. That's the eternally uplifting message of Come...

★★★ ON THE BASIS OF SEX Felicity Jones is Ruth Bader Ginsberg in a feelgood drama with smarts

DIRECTOR TOBY MACDONALD: 'Comedy is something people need at the moment'


★★★★★ CYPRUS AVENUE, ROYAL COURT THEATRE Stephen Rea is utterly compelling

★ ALL IN A ROW, SOUTHWARK PLAYHOUSE Soapy and shrill pity party

★★★★ ONLY FOOLS AND HORSES, THEATRE ROYAL HAYMARKET Rollicking remake of much-loved TV sitcom

★★★★ TYNAN, APPL, BURNSIDE, WIGMORE HALL The music of domesticity explored in song

disc of the day

DVD/Blu-ray: Dawson City - Frozen Time

Gold Rush social history seen through revelatory silent cinema documentary

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Traitors, Channel 4 review - Cold War thriller fails to reach room temperature

Battling Stalin's secret infiltration of Whitehall

Catastrophe, Channel 4, series 4 finale review - sitcom saves the best till last

Sharon Horgan and Rob Delaney go out on a grief-stricken, hope-filled cliffhanger


Capernaum review - sorrow, pity and shame in the Beirut slums

Reality and fiction collide in Nadine Labaki's powerful exposé of Lebanese street children

Director Toby Macdonald: 'Comedy is something people need at the moment'

Old Boys director talks about adapting Cyrano de Bergerac into a boarding school

On the Basis of Sex review – real-life legal drama

Felicity Jones is ground-breaking lawyer Ruth Bader Ginsburg in a feelgood with smarts

new music

CD: John Mayall - Nobody Told Me

Them dirty blues should not be too clean

Lau, Cheese & Grain, Frome review - the dangerous charm of electronica

Folk giants brought down by electronic monster


Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review - ferocious Mahler 9 without inscape

Brutally brilliant playing, but inwardness only came at the end of this performance

Hussain, Symphony Orchestra of India, Dalal, Symphony Hall, Birmingham review - new sounds from a new band

Vigorous, fresh playing from India’s only professional symphony orchestra

Tynan, Appl, Burnside, Wigmore Hall review - the music of domesticity explored in song

Wide-ranging duet recital covers the joys and trials of home and family


The Rite of Spring/Gianni Schicchi, Opera North review - unlikely but musically satisfying pairing

Odd-couple double bill of Stravinsky and Puccini with plenty to delight ear and eye

The Magic Flute, Welsh National Opera review - charming to hear, charmless to look at

Mozart's pantomime about Nature and Reason stuck in a box

Brighton Festival 2019 launches with Guest Director Rokia Traoré

The south-coast's arts extravaganza reveals its 2019 line-up


Keith? A Comedy, Arcola Theatre review - Molière mined for Brexit-era laughs
Canny update of a 17th-century classic locates real laughs in today's censorious landscape
Bodies, Southwark Playhouse review - shaky revival misses the mark
Last seen 40 years ago, James Saunders' four-hander never quite gets off the ground


The Rite of Spring/Gianni Schicchi, Opera North review - unlikely but musically satisfying pairing

Odd-couple double bill of Stravinsky and Puccini with plenty to delight ear and eye

Brighton Festival 2019 launches with Guest Director Rokia Traoré

The south-coast's arts extravaganza reveals its 2019 line-up

Swan Lake, English National Ballet, London Coliseum review - a solid, go-to production

Traditional stagings don't come much more satisfying than Derek Deane's for ENB


Brighton Festival 2019 launches with Guest Director Rokia Traoré

The south-coast's arts extravaganza reveals its 2019 line-up

Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

Immersive show examines male-female engagement in the #MeToo era


Crackdown 3 review - spectacular super-powered action that was great fun many years ago

Nearly a decade has passed since the last incarnation but little has changed in this stagnant shooter

Battlefield V review - WWII on an epic scale

The veteran series returns for another ambitious tour of duty

visual arts

Don McCullin, Tate Britain review - beastliness made beautiful

The darkest, most compelling exhibition you are ever likely to see

Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

A major retrospective of the French post-impressionist is huge, but unilluminating

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