Books
Matt Wolf
"The older he got, the less he cared about self-concealment," or so it is said of Sir Tom Stoppard, somewhere deep into the 865 pages of Tom Stoppard: A Life, Hermione Lee's capacious (to put it mildly) biography of the British theatre's leading wordsmith. As a literary artefact, Lee's exhaustive chronicle is a lot of words, and it's tempting to see her achievement as the non-fiction equivalent of, say, The Coast of Utopia, Stoppard's grandly conceived, three-part epic about political and intellectual life in 19th-century Russia.The difference here is that Read more ...
Charlie Stone
William Boyd’s fiction is populated by all manner of artists. Writers, painters, photographers, musicians and film-makers, drawn from real life or entirely fictional, are regular patrons of his stories. Boyd’s latest novel, Trio, is no different. Taking place on a film set in Brighton during the summer of 1968, Trio follows the lives of its three protagonists as they encounter the usual – and unusual – challenges of life in showbusiness. Artistic creation is the watchword both for the setting and its inhabitants. Talbot, the film’s producer, Anny, its star, and Elfrida, a struggling Read more ...
Lydia Bunt
What do you do when your phone rings, but you know the person ringing isn’t alive? In many ways, the cleverly named Reality, and Other Stories is a collection of ghost tales. But they are updated for the present day. John Lanchester meets his reader at the point at which the spectral intersects with the digital, all the while dissecting the seemingly simple notion of reality and its contents. The fusion makes for a compelling series of tales.Lanchester’s protagonists are often erudite, logical and attractive. They went to Oxbridge; they are professors, QCs, solicitors; one is an “actress Read more ...
Liz Thomson
“Build the wall!” exhorted Trump, at rally after rally back in the days when we’d all acknowledged his moral repugnancy but still believed he could never attain the presidency. And Trump has indeed built a wall, one that divides Republicans from Democrats in ways unimaginable even during the psychodrama of the Nixon years; a wall that has divided America in ways that will take a generation or more to heal – as Boris Johnson and his Brexit project has done in Britain.Even though no one I knew personally ever wanted Brexit, I always felt that if ever there was a referendum we would be out, and Read more ...
Olivia Fletcher
Death in Her Hands was a forgotten manuscript, the product of a series of daily automatic writing exercises performed by Ottessa Moshfegh in 2015 and then set aside to marinade in a desk drawer while the world fell apart. Moshfegh’s characters “zoom” and gallop, they feel “glued down” and lost: a neat array of overactive but introverted low-lives, possessed by a miscellany of sordid desires. Moshfegh’s attraction to creating obsessive personalities breeds a type of paranoia in her readers, who may very well remain unsure about whether her narrators speak in earnest or in jest. Death in Her Read more ...
Boyd Tonkin
The former slave, and coachman on a sugar plantation, began one of his early public proclamations in a typically defiant vein: “I am Toussaint Louverture, you have perhaps heard my name.” At that point, in 1793, almost everyone in the French Caribbean colony of Saint-Domingue did know about the inspiring but elusive rebel chieftain. Often in the shadows, he had led a slave uprising across Saint-Domingue (the western part of the island of Hispaniola) with a strategic brilliance and tactical flair that set it apart from the brutally crushed insurgencies of past decades. Within a few years Read more ...
Daniel Lewis
Ian Williams’s writing is always in motion. For his 2012 poetry collection Personals, and since, he has composed little circular poems, similar (in style though not sentiment) to the posies you sometimes find inscribed on the inside of rings. He incorporates a couple into Reproduction, his debut and Griffin Prize-winning novel. “I’m sorry I made you hate me”, “no I don’t hate you baby don’t hurt me”, they read. Supposedly thought up by a teenager in the throes of childbirth, they speak to the seeming endlessness of labour pains as well as the forging of new bonds that are as hard to split as Read more ...
Markie Robson-Scott
The Girls, Emma Cline’s acclaimed debut novel of 2016, was billed as a story based on the Manson murders. But in fact, like some of the stories in Daddy, her new short-story collection (written over a decade, several have already been published in magazines), it was an investigation into female friendship and what it means to be a teenage girl, when that state in itself makes feelings unreliable, “handicaps your ability to believe yourself”, and when so much time is spent trying “to slur the rough, disappointing edges of boys into the shape of someone we could love”.Daddy’s style is tighter Read more ...
James Dowsett
On Fire brings together a decade’s worth of dispatches from the frontline of the climate disaster – spanning the BP Deepwater Horizon oil spill (“a violent wound in the living organism that is Earth itself”), devastating tropical cyclones in Puerto Rico and choking wildfires in British Columbia. Compiled chronologically, the essays of award-winning journalist, social activist and filmmaker Naomi Klein represent a powerful reminder of the startling pace of change. We feel a mounting sense of urgency in the words that she conveys. But Klein does not content herself with simply screaming bloody Read more ...
India Lewis
Coming from a family of farmers, with periods of time spent working on a farm in the past ten years, I found James Rebanks’ English Pastoral: An Inheritance to be a highly urgent, important book. It is a perfect encapsulation and explanation of how and why farming in Britain has changed over the past century, and what a devastating effect this has had on the land. It’s not only the story of one farming family, but also a clear and well-argued proposal for a new attitude towards an essential resource, which has been cheapened and exploited, with ultimately harmful environmental Read more ...
Marina Vaizey
This is a biography like no other, more or less dictated by Lucian Freud. William Feaver spoke with the artist perhaps almost daily for nearly 40 years, visiting frequently, taking notes, recording, and being shown work in progress. The second volume of the resulting kaleidoscope – the two together, the first published last year, come to over 1,100 pages – is a mesmerising, entertaining account of Freud’s life and art. Freud’s own comments on other artists, his own paintings, and art in general, its purposes and his own aesthetic, are intelligent, enlightening and absorbing.Feaver’s Read more ...
Sarah Collins
Nick Hornby’s protagonists are worlds apart. Joseph is a Black 22-year-old with a “portfolio career", which includes shift work at a butcher’s and a leisure centre and the distant dream of becoming a DJ. Lucy, a regular customer at the butcher’s where Joseph works, is a white, forty-two-year-old mother, recently divorced from an addict ex-husband and Head of English at a local “troubled inner city school.” When she asks Joseph to be a babysitter for her two children, the pair embark on an unexpected romantic relationship. Just Like You charts the highs and lows of that journey, as they Read more ...