Met Opera goes live around the world | reviews, news & interviews
Met Opera goes live around the world
Met Opera goes live around the world
Wednesday, 24 February 2010
New York's Metropolitan Opera House firmly believes it's the centre of the universe. From a London perspective, it's not, but it does boast most of the big stars, and supremo Peter Gelb seems to be modernising a creaking rep, phasing out a number of well-loved productions to groans from diehard traditionalists and making sure the new shows reach a large audience by virtue of the hugely popular HD live screenings.
New York's Metropolitan Opera House firmly believes it's the centre of the universe. From a London perspective, it's not, but it does boast most of the big stars, and supremo Peter Gelb seems to be modernising a creaking rep, phasing out a number of well-loved productions to groans from diehard traditionalists and making sure the new shows reach a large audience by virtue of the hugely popular HD live screenings.
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Baby Reindeer, Netflix review - a misery memoir disturbingly presented
Richard Gadd's double traumas are a difficult watch but ultimately inspiring
The Book of Clarence review - larky jaunt through biblical epic territory
LaKeith Stanfield is impressively watchable as the Messiah's near-neighbour
Lisa Kaltenegger: Alien Earths review - a whole new world
Kaltenegger's traverses space in her thoughtful exploration of the search for life among the stars
Album: Pearl Jam - Dark Matter
Enduring grunge icons return full of energy, arguably their most empowered yet
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review - joy in teamwork
A great pianist re-emerges in Schumann, but Beamish and Mendelssohn take the palm
An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school stories
Fact emerges skilfully repackaged as fiction in an affecting solo show by Richard Nelson
First Persons: composers Colin Alexander and Héloïse Werner on fantasy in guided improvisation
On five new works allowing an element of freedom in the performance
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Album: Paraorchestra with Brett Anderson and Charles Hazlewood - Death Songbook
An uneven voyage into darkness
Anthracite, Netflix review - murderous mysteries in the French Alps
Who can unravel the ghastly secrets of the town of Lévionna?
The Comeuppance, Almeida Theatre review - remembering high-school high jinks
Latest from American penman Branden Jacobs-Jenkins is less than the sum of its parts
Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough drama
Philippa Gregory’s first play tries to exonerate Richard III, with mixed results
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