jazz
Kieron Tyler
An expectant audience isn’t the only thing which can be seen from the main stage of Helsinki’s Flow Festival. Janelle Monáe, Manic Street Preachers and OutKast are also greeted by a gas holder looming ominously before them. This brooding remnant of the festival site’s former use as a gasworks brings a unique flavour to Flow. The setting and site are unlike that of any other festival.In its 11th year, Flow 2014 balanced big international names against edgier artists and Finns of all shapes, sizes and styles. With great food, a kid-friendly third day and art installations, the festival is a Read more ...
Russ Coffey
Laura Mvula, despite her exotic-sounding name, is a quintessentially British artist. Not just because of where she comes from – Birmingham – but also how she stays humble and understated while dripping with talent. Her story is equally endearing. Mvula was working as a receptionist when her debut, Sing to the Moon, was released. Overnight, her world was turned upside down and over the next year she was nominated for nearly every major award going, taking home two MOBOs and one Urban Music Award.Still, Mvula is not ostensibly an r’n’b or soul artist. Her voice may owe a debt to the gospel she Read more ...
Matthew Wright
Pianist Jerry Léonide arrived on the international jazz scene with a splash when he won the Montreux Jazz Festival solo piano competition last year. Born and raised in Mauritius, then transplanted to France at 17 to further his musical education, Léonide’s musical appeal, reflected here with much larger forces, depends on a refreshing blend of Mauritian melodies, jazzed up with the standards Léonide used to play to tourists at home, then filtered through the more cerebral and contemporary sounds of his French academic training, in the form of the keening blend of soprano sax and flugelhorn. Read more ...
peter.quinn
Initiated in the latter part of 2011 by Jazz Warrior and multi-instrumentalist Orphy Robinson and pianist/sound sculptor Pat Thomas, I saw the shape-shifting ensemble Black Top play an incredible gig as a sextet at its spiritual home, Café Oto, as part of the 2012 London Jazz Festival. It was my favourite performance of that year's edition, by a country mile.The elements that so impressed that night - the mercurial interplay, the constant textural shifts, the brilliant musicianship and the playfulness with which the ensemble deconstructed and reassembled their chosen material - are all heard Read more ...
Heidi Goldsmith
If the 15-word limit of a succinct listings blurb ever taught you a lesson let it be immediate suspicion of any performer or musician termed "jazzy". This wariness could extend to anything generically suffixed by "y" or "ish", simply because it suggests either pretence or a lack of original or strong identity. And yet if asked what a "jazzy" performance might be a few concrete elements come to mind; well-tuned glissandi, scored solos, precisely-timed appoggiaturas and that old crooner's classic "swing feel".From conductor Nicholas Collon's swift and jovial entrance onto the stage at LSO St Read more ...
Kieron Tyler
Too Late Blues has many individual aspects which, on their own, would make it notable. Released in 1961, it was John Cassavetes’ second film as a director following the ground-breaking Shadows, one of America’s first full-length expressionist art films. As Shadows had, it centres on jazz and depicts a world which was then thriving, showing it from the inside. It stars Bobby Darin, one of America’s most important and multi-faceted musical figures. When taken together, with the added impact of its female star Stella Stevens, its inclusion of black cast members and disabled children, Too Late Read more ...
Matthew Wright
As the name suggests, New Orleans’ Preservation Hall Jazz Band was established to promote traditional New Orleans Jazz. This release is the band’s first of original material, and the fact they haven’t been short of a tune since foundation in 1961 only confirms what any jazz-lover will already know, that the traditional New Orleans repertoire is pretty well represented in the record catalogue already.The famous community spirit of New Orleans is reflected in two characteristics of the city’s music in particular: the quality of the ensemble playing, and the relaxed approach to genre. While the Read more ...
Matthew Wright
DJ, broadcaster and all-round musical pioneer Gilles Peterson is one of the most influential figures in contemporary music. In a career that has grown from a DIY pirate station to running a succession of record labels, global DJing appearances and his own Worldwide Awards, he’s become famous for his commitment to the most unexpected combinations of new sounds and genres, drawn from restless collaborations worldwide. His support for his own kind of jazz has been a consistent feature of his career, but he’s certainly not the purist of beard-stroking jazz folklore. His interest in Read more ...
joe.muggs
As dance music once more sweeps the mainstream, we're returned to the situation of the 1990s where singer and song can seem to become a little detached. Parades of “featured vocalists” deliver refrains for the producer teams who are queueing up to repeat the success of Route 94, Clean Bandit, Duke Dumont and above all Disclosure. And as the field gets more crowded, so the requirements for the singers to sit back, know their place and deliver the simplest hooks become more pressing.Some new generation singers do manage to step into the spotlight of course. Rita Ora parlayed her big hit with DJ Read more ...
Matthew Wright
French band Pulcinella is little known over here, but the release of their third album Bestiole (meaning nothing more ribald than “tiny creatures”, apparently), coincides with a brief UK tour, and is looking like the beginnings of a breakthrough. A quartet of sax, accordion, percussion and bass, with an exotic array of guest instruments, they’re self-consciously experimental, but melodic and humorous with it. Their swirling sound-world of whimsical, gothic circus noir draws on jazz, tango and alt rock, but balances the mixture with feisty originality in independent territory in between.The Read more ...
Nick Hasted
Saturday commuters sprinting for the 17.33 to Ardrossan find themselves dodging an obstacle course of swing-dancing young couples, soundtracked by a pensionable trad jazz band. A shifting crowd of about 100 pause in their journeys at Glasgow Central station to enjoy Penman’s Jazzmen, skilful Scottish veterans comfortable with each other and the demands of this century-old New Orleans music.Four days into 2014’s Glasgow Jazz Festival, its existence will have been news to many of the Glaswegians entertained by this enterprising street gig. More obviously momentous events are signposted around Read more ...
Kieron Tyler
It’s statement of intent to open your first British headlining show with a 15-minute version of an album track which lasts a minute and three-quarters – from an album which itself lasts barely more than 30 minutes. And then to riff on it, incorporating elements from a debut album which barely anyone beyond your native country has heard. In taking her current album No Deal’s “I Feel You” and merging it with A Stomach Is Burning’s “A Stomach”, Belgium’s Melanie De Biasio could have alienated an audience who had never seen her before. Instead, the sold-out Purcell Room gave her standing ovation. Read more ...