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To the rich but faintly melancholy strains of Mozart’s Piano Concerto no 23, the latest release from Korean director Park Chan-wook sets up…

No one divides opinion quite like Wayne McGregor, Sir Wayne since 2024. He’s the closest thing to Marmite on the ballet scene. Either you’…

One of the many dispiriting things about the nine years that span Trumpino’s 2017 inaugural and today is how very few musicians have had…

Kaouther Ben Hania's The Voice of Hind Rajab caused an international outcry at last year's Venice film festival – a fact that the Oscar-…

A new look and new vibe for Grant-Lee Phillips at this pared-back performance, part of the Celtic Connections festival that takes over…

Juraj Herz’s acclaimed dark comedy The Cremator proved too much for post-1968 censors, the film withdrawn from circulation in 1973 and…

After the myriad intricacies and moodswings of Janáček's The Makropulos Case on Tuesday and Thursday - I was lucky to catch both…

What a journey Jamie Eastlake’s play has had: his stage adaptation (which he also directs) of Jonathan Tulloch’s book The Season Ticket…

Marketed as “City Noir” to begin with, this programme title was switched to “Beethoven Piano Concerto no. 4” closer to the off, perhaps…