fri 29/03/2024

New Music Reviews

When Harvey Met Bob, BBC Two

graeme Thomson An Eighties 'Odd Couple': Domhnall Gleeson and Ian Hart as Geldof and Goldsmith

At one point in Joe Dunlop’s Boy's Own adventure-style dramatisation of the events leading up to Live Aid, concert promoter Harvey Goldsmith asked Bob Geldof: “Why are you doing it, that’s the question?” I’ve interviewed Geldof on a number of occasions and there’s no doubting either the sincerity or enduring nature of his commitment to Band Aid. I’m not sure, however, that I or anyone else, and certainly not this film, has ever quite got to the bottom of Goldsmith's question. Why...

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Imagine: Ray Davies, Imaginary Man, BBC One

Kieron Tyler

"Compared to the way I feel now", said Ray Davies 50 minutes in, “having a nervous breakdown was a jaunt.” His voice was even, matter of fact. He didn’t look distressed, merely appeared to be stating what he thinks is obvious. Julian Temple’s documentary about The Kinks’s leader and songwriter was packed with such moments – revealing and so open that it was impossible not to be affected by Davies’s low-key passion. This assured portrait was more than the story of a pop star.

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Simply Red, O2 Arena

Kieron Tyler

When theartsdesk asked Simply Red’s PR company for some pictures of the band to accompany this review, the images sent were of Mick Hucknall – alone. Which is probably all you need to know about who Simply Red are. Last night’s audience at this, Simply Red’s final ever live show, needed no reminding that it was all about Hucknall, however he’s billed. For them, his arrival on stage after the band had set the groove drew more applause than the music.

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Festivals Britannia, BBC Four

howard Male An infestation of human beings, temporarily invading a sizeable stretch of southwest England

A startling one in 10 British adults apparently went to a music festival this year. Given that I’m a music journalist and I didn’t, maybe I’m some kind of astronomically unlikely anomaly. I’d like to think so. But those familiar aerial shots of Glastonbury – not just a few fields but a sizeable expanse of Britain’s patchwork-quilt landscape, completely overrun by an infestation of teeming humanity - is enough to make me feel smugly sane to have decided, as usual, to just remain cosily at...

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Frankie Rose and The Outs, Luminaire

Kieron Tyler Frankie Rose and the Outs on their way to audition for 'Macbeth'

Miss Frankie Rose is the veteran of scads of über-trendy bands. In desperately hip, always stewing Brooklyn, she's a one-woman music scene. Inspired by the mid/late-Eighties UK indie sound, The Cramps, Phil Spector and Sixties girl groups, she's landed in north London with her new band Frankie Rose and the Outs. Their debut album is a wonderful fuzz-pop confection, but could it work live?

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Suede, O2 Arena

Bruce Dessau

If you stick the phrase "Britpop Revival" into Google, the first page of results suggests that there has been one in 2009, 2008, 2007, 2005 and even 1998, barely a handful of months after Britpop was the epitome of Cool Britannia.

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Meat Loaf, Wembley Arena

Russ Coffey

It’s often assumed that people who write about music just sit around listening to achingly hip bands and rare grooves. Not true. You’ll often catch me listening to such Jeremy Clarkson-endorsed combos as Genesis or ZZ Top. Meat Loaf? Certainly. Guilty pleasure? As charged. Phil Spector may have had his pocket symphonies for the kids, but Meat Loaf and Jim Steinman gave them six-minute operas. To my mind there hasn’t been a song written that conjures up the glorious tragedy of being 16 quite...

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Imagine: Bruce Springsteen, Darkness Revisited, BBC One

graeme Thomson

Anyone who has ever spent even a little time in a recording studio will be aware that the process of making an album lies somewhere between “watching paint dry” and “ripping out your own toenails” on the scale of interesting and enjoyable activities. It rarely makes for great television. The first image we saw in last night’s Imagine was of a youthful Bruce Springsteen...

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The X Factor 2010, Week 9, ITV1

joe Muggs

Another week, another “fix” in the glorious cavalcade of manipulation, ill-feeling, class hatred, allegations of racism and – oh yes – singing that is The X Factor. This week it was another shift in the rules, seemingly in order to allow the judges to vote off 50-year-old Irish till operator and Shirley Bassey soundalike Mary Byrne and keep in a quantifiably worse singer, the steely-eyed and prematurely wizened teenager from Malvern, Cher Lloyd.

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Pendulum, Wembley Arena

joe Muggs The full lineup of Pendulum, their facial hair as untrendy as their sound

Next time BBC2 want to do one of those periodic “what happened to the white working class” documentaries, they could do worse than come to a Pendulum gig. The crowd at Wembley Arena last night were defiantly not “studenty” as many for post-rave music acts can be, and neither were they multicultural; in fact, switch the haircuts and outfits around and you could pretty much transplant the same set of people back 30-odd years to an early Iron Maiden show. This was a 21st century heavy metal crowd...

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