sat 08/08/2020

Die Frau ohne Schatten, Mariinsky Opera, Gergiev, Edinburgh Festival Theatre | reviews, news & interviews

Die Frau ohne Schatten, Mariinsky Opera, Gergiev, Edinburgh Festival Theatre

Die Frau ohne Schatten, Mariinsky Opera, Gergiev, Edinburgh Festival Theatre

Strauss's massive fairy tale makes a rare outing in a musically strong venture

 


Der Rosenkavalier, Royal Opera (2009). Uneven revival of John Schlesinger’s 25-year-old production

Capriccio, Grange Park Opera (2010). Lively staging, stylish singing and a welcome intrusion of wartime reality

Salome, Royal Opera (2010). Angela Denoke's mercurial Salome (pictured below by Clive Barda) shimmers in Strauss's monstrously beautiful opera

Ariadne auf Naxos, Welsh National Opera (2010). Hoffmansthal's libretto is all about fidelity. This updating is faithful, up to a point

Angela Denoke as Salome at the Royal Opera HouseIntermezzo, Scottish Opera (2011). Soprano Anita Bader graces a Klimtian take on Richard Strauss's domestic comedy

Der Rosenkavalier, English National Opera (2012). David McVicar and Edward Gardner deliver a riveting account of Strauss's popular opera with Amanda Roocroft as the Marschallin

Intermezzo, Buxton Festival (2012). Fine style in Strauss's comedy-with-feeling

Ariadne auf Naxos, Glyndebourne Festival Opera (2013). Strauss's opera reluctantly enters the Battle of Britain courtesy of a young German director

Capriccio, Royal Opera (2013). Renée Fleming leads superlative cast in concert performance of Strauss's operatic debate

Elektra, Royal Opera (2013). Revival with Christine Goerke in the title role hits the horrid heart of the matter in Strauss's poleaxing masterpiece

Die Frau ohne Schatten, Royal Opera (2014). Compelling dream-interpretation of Strauss's myth graced by fine singing and Semyon Bychkov’s conducting

Der Rosenkavalier, Glyndebourne (2014). Richard Jones finds new order in rococo comedy for music, with Kate Royal as the Marschallin

Salome, BBC Proms (2014). Nina Stemme stuns with Donald Runnicles and the Deutsche Oper Berlin in a giddying account of Strauss's incredible score at the Proms

Ariadne auf Naxos, Royal Opera (2014). Two nymphs are the real revelation in this revival of evergreen hybrid

Salome, Symphony Hall, Birmingham (2015). Lise Lindstrom steals the show from Karabits and Bournemouth SO as a sensual Strauss anti-heroine in concert

Der Rosenkavalier, Royal Opera (2016). Robert Carsen's handsome production with Renée Fleming is elevated by superb orchestral playing

Comments

The second night was clearly not up to the standard of the opening performance

Would you care to give enlightenment, LietoFine? My friends reported a superb Barak (the veteran Putilin) and very good leading ladies (except for the Nurse).

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