country
Kieron Tyler
Something falls with a clatter from one of Dom Flemons’s pockets. The Carolina Chocolate Drops’s banjo player, guitarist and all-round picker and plucker has a lot of pockets. Earlier, he’d produced a pipe from one, a tobacco pouch and tuning pipes from others, but what has just dropped on the table are his bones. His musical bones. The ones whose rhythms are rarely far from the heart of his band. “You never know when you’re going to need them,” he says. “Sometimes you just get bored."This is the cue for the Chocolate Drops’s newbie Hubby Jenkins to get his bones out, and the pair begin Read more ...
Jasper Rees
Nanci Griffith, the Lone Star State’s dirty realist, has done much of her better work with a Democrat in the White House. I remember interviewing her once soon after the first Gulf War, when she was glum about the prospect of George Bush Snr walking the next election. She turned out to be wrong about that, and the Clinton years confirmed her as the pre-eminent godmother of rootsy, narrative singer-songwriting. Then the next Bush, far from firing up her busy liberal wrath, ushered in an emotional downturn.This intoxicating set of songs finds her defiantly in recovery mode, never louder or Read more ...
graeme.thomson
Canadian singer-songwriter Lindi Ortega took to the stage last night in a rococo Edinburgh broom cupboard looking like a country-fried Amy Winehouse in widow’s robes. As with most first impressions, it proved misleading. The visuals might have screamed Camden boho chic by way of New Nashville, but the voice was pure Dolly.Ortega has been making fine music for over a decade. Between spells providing vocal back-up for the likes of Brandon Flowers, she has carved her own niche. In the time between her first album, The Taste of Forbidden Fruit (2001) and her third, Little Red Boots (2011), she Read more ...
Adam Sweeting
The makers of this short history of country music had done a good job of rounding up interviewees, who included such veterans as Ray Price, Merle Haggard and Charley Pride alongside the offspring of several country legends. We met Shooter Jennings (son of Waylon), Hank Williams III and Georgette Jones (daughter of Tammy Wynette and George Jones). Trouble is, by the time their interviews had been diced into small fragments and lobbed in with an additional list of pundits and critics, their impact had dissipated.The solution? This should either have been a longer film or the first of two (or Read more ...
graeme.thomson
Creative time travel is very much in vogue. For musicians especially, it appears that death is not so much The End as an opportunity to extend the possibilities of the franchise. Early in 2012, American alt-country type Jay Farrar and My Morning Jacket’s Jim James will release New Multitudes, an (excellent) album of new songs based on some of the thousands of unrecorded lyrics left by Woody Guthrie after his death in 1967. It’s just the latest in a line of high-profile collaborations between the living and the dead.Already in 2011 Bob Dylan’s Egyptian label has released The Lost Notebooks of Read more ...
Russ Coffey
When theartsdesk last saw folkie Swedish sister act First Aid Kit, they were both still teenagers. It was a dank February night and they beguiled a tough Edinburgh club with voices that sounded like they belonged somewhere in A Midsummer Night’s Dream. But that was almost two years ago, a long time in the life of one teenage girl, let alone two. That evening, our reviewer wrote, “Hope filled the air, like the scent of freshly cut grass.” Last night, as I stood backstage waiting for a pre-show chat with the girls, I worried that after months on the road some of that artless charm may have Read more ...
Russ Coffey
“My first album was a personal love letter to God,” Josh T Pearson tells me, looking like a cross between Johnny Cash and Moses. No wonder, then, that it took him 10 years to record another. On this year's release, Pearson had moved on, talking failed love like a punk Leonard Cohen stranded in the wilderness. Face to face, Pearson is, however, quite the Southern gent: the Last of the Country Gentlemen, as he calls himself in the title of the new album. In a west-London café, he recounted how he got here, and why he is nervous about this Saturday’s big gig at the Barbican.Pearson grew up in Read more ...
david.cheal
This show was memorable almost as much for the audience as it was for the music. The Roundhouse was perhaps two-thirds full for a show that The Low Anthem’s singer Ben Knox Miller said was “the biggest gig of their career” (adding: “And I’ve never called it a ‘career’ before”), but those who were there had clearly come to see the band rather than catch up on gossip, because the audience’s attention was absolute, their silence total; I can scarcely recall a gig where the crowd’s concentration was so complete.The objects of their attention were a band from Providence, Rhode Island who have been Read more ...
graeme.thomson
From Bill Haley’s frantic clock-rocking to Sting’s po-faced plucking, the double bass has written itself a pretty meaty book in the rock‘n‘roll bible. It’s strictly Old Testament, though, far more closely identified with the composers of rock’s creation story than to those tasked with mapping out its future. But hang on. Louisiana-born, Memphis-based singer-songwriter Amy LaVere might just be changing all that.Wrapping herself around an upright bass certainly makes for a neat (and not wholly unwelcome) visual hook, but LaVere’s music is accomplished enough not to rely on novelty selling Read more ...
Russ Coffey
The anticipation of Glen Campbell’s valedictory concerts has gone far beyond the goodbye to his music. It’s involved a reflection on his entire life. The sugar-throated cowboy with film-star looks and ballads as epic as daybreak in Arkansas has lived life like a great American novel. One of 12 children of a sharecropper, he went on to play the guitar with The Beach Boys, act with John Wayne, marry four times, and count Ronald Reagan as his friend. But with the onset of Alzheimer’s this is the last time the public will get to see him reflecting on his extraordinary years.Recent interviewers Read more ...
graeme.thomson
Formed in 2000 by thirtysomething sisters Catherine and Allison Pierce, Alabaman duo The Pierces have spent over a decade flitting from style to style and label to label, the nuggets of critical acclaim heavily outweighed by public indifference. Everything finally clicked, however, with their fourth album, You & I, which entered the UK charts at number four earlier this year. Produced by Coldplay's bass player Guy Berryman (but really, don’t let that put you off), You & I bears all the hallmarks of a band knuckling down and turning pro, but its atmospheric AOR and rootsy pop-rock Read more ...
Thomas H. Green
“Cocaine Blues” is a song whose murky origins lie at the very roots of blues, folk, country and rock’n’roll, possibly right back to the last days of minstrelsy. When Johnny Cash performs it on his riveting 1968 live album At Folsom Prison, it fairly hums with potency, just about as heartening as popular music gets. When Merle Haggard has a crack at “Cocaine Blues” on his latest album, however, the mood is the polar opposite. The clean easy-going tone conjures a country and western version of Hugh Laurie’s recent sedate, chart-bothering take on the blues.
Then again, Haggard, at 75, has Read more ...