mon 21/10/2019

Storyville: Mandelson - The Real PM?, BBC Four | reviews, news & interviews

Storyville: Mandelson - The Real PM?, BBC Four

Storyville: Mandelson - The Real PM?, BBC Four

The Dark Lord emerges unscathed from Hannah Rothschild's documentary

There had been efforts to whip up eddies of controversy around Rothschild's film (it was "likely to ruffle feathers in the Westminster establishment", The Guardian promised), but its cunning protagonist had already drawn its fangs with the publication of his autobiography, which made a rocket-assisted arrival at your local Waterstones in July. Thus, while the wobbly camerawork, which kept cutting off people's heads or legs as if the project was being secretly shot with a camera hidden in a lapel or a wristwatch, imparted an air of investigative secrecy, this was an illusion. This was a Mandelson-approved project from opening frame to final credits, and whatever you thought you saw was what he'd agreed to show you.

Indeed, after spending six months dogging his footsteps before and during the recent general election, it was remarkable how little of Rothschild's material felt brand new. True, we hadn't seen Mandelson changing his trousers before, or at home playing with his dog, or dropping yoghurt down his tie, but his description of Gordon Brown as being "like a cross between a snowplough and a combine harvester" had a familiar ring to it, and his condemnation of Messrs Cameron and Osborne as being like "a couple of greedy schoolboys guzzling sweets" was remarkable only for its non-lethal quaintness. He didn't like their "sense of entitlement", but probably only because it looked likely to trump his own. There was one intriguing little snippet where Osborne asked him "When are we going to see your film, Peter?" "Not for a long time," said Mandelson, adding that he might decide to include some scenes from Corfu. This was the setting for the Osborne-Mandelson row concerning meetings on Oleg Deripaska's yacht in 2008, which also involved Nathaniel Rothschild, brother of Hannah the film-maker (pictured below with Mandelson). Small world.
mandy_hannah_smallIn fact, Mandelson seemed to hate the Tories less than people within Labour who he felt had stitched him up (these would include Alastair Campbell and Gordon's former bouncer Charlie Whelan), though his various falls from grace and subsequent comebacks did enable him to adopt a martyred, prophet-without-honour air. You could hardly expect some of these ignorant buffoons, he seemed to be saying, to appreciate my rare and precious gifts.
Coming out of the film, you probably felt much the same about Mandelson as you had done going in. He's ruthless, suave, shrewd to an almost psychic degree, lethally articulate and totally focused on the promotion of Peter Mandelson. As one of his aides pointed out, Mandelson was sent out for fire-fighting duties during the election because he has an instinct for avoiding pitfalls and "Peter has the best command of language." But there are fatal flaws alongside the brilliance. He recalled how Tony Blair had told him he was "too imperial", and showed his "sense of power" too much. His fascination with wealth and glamour has cost him dearly. And, like the scorpion in the old proverb, he wouldn't be able to resist stinging you because that's his nature.
  • Watch Mandelson - The Real PM? on BBC iPlayer
  • Find Peter Mandelson's The Third Man: Life at the Heart of New Labour on Amazon

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.