sun 20/05/2018

marina vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

William Trevor: Last Stories review - final intimations

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Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

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Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

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John Gray: Seven Types of Atheism review - to believe, or not to believe

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Monet and Architecture, National Gallery review - a revelation in paint

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The Queen's Green Planet, ITV review - right royal arboreals

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Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

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America's Cool Modernism, Ashmolean Museum review - faces of the new city

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Big Cats About the House, BBC Two review - irresistible feline-human bonding

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Victorian Giants, National Portrait Gallery review - pioneers of photography

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Agnès Poirier: Left Bank review - Paris in war and peace

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Civilisations, BBC Two review - no shocks from Schama

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Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

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Mick Herron: London Rules review - hypnotically fascinating, absolutely contemporary

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Andreas Gursky, Hayward Gallery review - staggering scale, personal perspective

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Afua Hirsch: Brit(ish) review - essential reading on identity

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latest in today

William Trevor: Last Stories review - final intimations

An Irishman who spent more than half a century in London and then Devon, and a prolific writer – nearly 20...

Madama Butterfly, Glyndebourne review - perverse staging, ou...

Puccini’s heroines and the rough treatment he hands out to them have come in for plenty of opprobrium over the years. But just occasionally they...

Clancy Sigal: The London Lover review - a merry prankster...

To readers of newspapers and magazines, the name Clancy Sigal will be very familiar, probably as a film reviewer. Addicted to...

Reissue CDs Weekly: African Scream Contest 2

African Scream Contest 2 opens with a burst of distorted guitar suggesting a parallel-world response to The Chambers...

Robbie Thomson XFRMR, Brighton Festival review - lightning s...

The welcome to Glasgow audio-visual artist Robbie Thomson’s...

CD: Caroline Rose - Loner

Loner’s opening track “More of the Same” lyrically tracks being at a party where “everyone’s well dressed with a perfect body and they...

An Audience with Dame Cleo Laine, RFH review - a phenomenon...

Yes, she sang, with her trademark artistry from the very first notes – four numbers, including a duet with daughter Jacqui Dankworth, and all in...

Highlights from Photo London 2018 - something old, something...

Photo London seems much better this year, mainly because I am at last able to find my way around the labyrinthine Somerset House without getting...