Art Gallery: Fourth Plinth Commission | reviews, news & interviews
Art Gallery: Fourth Plinth Commission
Art Gallery: Fourth Plinth Commission
A playfully subversive mood dominates this strong shortlist
Friday, 20 August 2010
A playful, subversive mood dominates the shortlist for Trafalgar Square’s Fourth Plinth. Most of the six proposals, in what is a very strong shortlist, play on notions of British identity, probing themes of heroism, heritage and conquest. The models, which include a cock (the winged variety), a cake and a kid on a rocking horse, were unveiled yesterday by Mayor Boris Johnson. Two winners will be selected next spring, with the first appearing on the Plinth at the end of next year. The six are:
1. Mariele Neudecker It’s Never Too Late and You Can’t Go Back
A fictional mountainscape which, when encountered from below, shows the outline of Britain. Neudecker’s work is inspired by the northern European Romantic sublime, and this rugged landscape suggests the work of both the English painter J M W Turner and German artist Caspar David Friedrich.
2. Alloria & Calzadilla Untitled (ATM/Organ)
A real ATM will be embedded within the Fourth Plinth. When you get your cash out, the huge church organ above (how we worship the green stuff) will produce sounds that will reverberate across the square. But just imagine the queues - and the frustration when it runs out of cash.
3. Brian Griffiths Battenberg
A big sponge cake will be constructed from Victorian, Edwardian and contemporary house bricks. Battenberg Cake was invented to commemorate the marriage of Queen Victoria’s granddaughter Princess Victoria of Hesse to Prince Louis of Battenberg in 1884. Though it isn't much to look at, it’s a witty reference to the Royal Family’s German roots - and right in the middle of a square devoted to war statuary. Brilliant.
4. Elmgreen & Dragset Powerless Structures
A golden boy on a golden rocking horse, galloping to certain victory. A witty, joyously uplifting contribution by the Nordic duo. The sculpture, which will be cast in bronze, looks certain to be the popular choice. And why not? It hits all the right buttons for a playful contemporary public sculpture.
5. Hew Locke Sikandar
Another horse, though this one is making its point about our reformed notions of imperialism far more earnestly. Sikandar is a replica of the equestrian statue of Field Marshal Sir George White. Transformed into a fetish object, it’s exuberantly decorated with horse-brasses, charms, ex-votos, Hellenistic masks and medals. The work’s title translates as Alexander in Urdu; Khandahar in Afghanistan was one of the cities Alexander the Great, history’s greatest military hero, named after himself.
6. Katharina Fritsch Hahn/ Cock
A true blue cock of the walk: a giant cockerel in ultramarine blue will invite all sorts of knob references – but its size, once erected on to the plinth, will undoubtedly make it both an impressive and surreally unsettling sight.
The two winning commissions will be chosen by the Fourth Plinth Commissioning Group and announced in spring 2011.
The Fourth Plinth is currently occupied by Yinka Shonibare's Nelson's Ship in a Boat, which will be taken down at the end of 2011.
[bg|/ART/Fisun_Guner/Fourth_Plinth]
A fictional mountainscape which, when encountered from below, shows the outline of Britain. Neudecker’s work is inspired by the northern European Romantic sublime, and this rugged landscape suggests the work of both the English painter J M W Turner and German artist Caspar David Friedrich.
2. Alloria & Calzadilla Untitled (ATM/Organ)
A real ATM will be embedded within the Fourth Plinth. When you get your cash out, the huge church organ above (how we worship the green stuff) will produce sounds that will reverberate across the square. But just imagine the queues - and the frustration when it runs out of cash.
3. Brian Griffiths Battenberg
A big sponge cake will be constructed from Victorian, Edwardian and contemporary house bricks. Battenberg Cake was invented to commemorate the marriage of Queen Victoria’s granddaughter Princess Victoria of Hesse to Prince Louis of Battenberg in 1884. Though it isn't much to look at, it’s a witty reference to the Royal Family’s German roots - and right in the middle of a square devoted to war statuary. Brilliant.
4. Elmgreen & Dragset Powerless Structures
A golden boy on a golden rocking horse, galloping to certain victory. A witty, joyously uplifting contribution by the Nordic duo. The sculpture, which will be cast in bronze, looks certain to be the popular choice. And why not? It hits all the right buttons for a playful contemporary public sculpture.
5. Hew Locke Sikandar
Another horse, though this one is making its point about our reformed notions of imperialism far more earnestly. Sikandar is a replica of the equestrian statue of Field Marshal Sir George White. Transformed into a fetish object, it’s exuberantly decorated with horse-brasses, charms, ex-votos, Hellenistic masks and medals. The work’s title translates as Alexander in Urdu; Khandahar in Afghanistan was one of the cities Alexander the Great, history’s greatest military hero, named after himself.
6. Katharina Fritsch Hahn/ Cock
A true blue cock of the walk: a giant cockerel in ultramarine blue will invite all sorts of knob references – but its size, once erected on to the plinth, will undoubtedly make it both an impressive and surreally unsettling sight.
The two winning commissions will be chosen by the Fourth Plinth Commissioning Group and announced in spring 2011.
The Fourth Plinth is currently occupied by Yinka Shonibare's Nelson's Ship in a Boat, which will be taken down at the end of 2011.
- For more information on past and present commissions visit the Fourth Plinth website
- The six maquettes are on display in the foyer of St-Martin-in-the-Field, Trafalgar Square, until 31 October
[bg|/ART/Fisun_Guner/Fourth_Plinth]
Add comment
more Visual arts
Stephen review - a breathtakingly good first feature by a multi-media artist
Melanie Manchot's debut is strikingly intelligent and compelling
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Richard Dorment: Warhol After Warhol review - beyond criticism
A venerable art critic reflects on the darkest hearts of our aesthetic market
Comments
...
...