mon 29/04/2024

Comedy reviews, news & interviews

Fern Brady, Netflix Special review - sex, relationships and death

Veronica Lee

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady into the comedy big time – and now comes the accolade of her first Netflix special, Autistic Bikini Queen, which was recorded in Bristol last year.

Jonathan Pie, Duke of York's Theatre review - spoof political reporter takes no prisoners

Veronica Lee

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto, because it is 70 minutes of political invective, taking aim at a rogues' gallery of senior Conservatives present and past. Oh, and the royal family get it in the neck too.

Spencer Jones: Making Friends, Soho Theatre...

Gary Naylor

Lockdown feels more like a dream now: empty streets; bright, scarless skies; pan-banging at 8pm. Did it all happen? One part of our brains insists...

Six Chick Flicks, Leicester Square Theatre review...

Veronica Lee

Spoofing movies or movie genres has been done before, but Six Chick Flicks goes the extra mile. It's a funny, frenetic and feminist take-down of the...

Pierre Novellie, Soho Theatre review - turning a...

Veronica Lee

Pierre Novellie opens his show by telling how his latest show, Why Are You Laughing?, came into being. It started, he says, when he was heckled at a...

Catherine Bohart, Soho Theatre review - girlfriends, gossip and gay parenthood

Veronica Lee

Full-throttle show from Irish comic

Miles Jupp, Cambridge Arts Theatre review - life's vicissitudes turned into laughs

Veronica Lee

Finding the funny in medical emergency

Andy Parsons, Touring review - reasons to be cheerful...

Veronica Lee

...Even if the country's falling apart

Bill Bailey: Thoughtifier, Brighton Centre review - offbeat adventures with a whirling, erudite mind

Thomas H Green

Bailey's fusion of studied musicality and off-the-wall wordplay remains one-of-a-kind

Paul Foot, Soho Theatre review - how to discover the meaning of life

Veronica Lee

Personal show from the absurdist comic

Jessica Fostekew, Soho Theatre review - age is just a number

Veronica Lee

Landmark birthday prompts some musings

Fascinating Aida, London Palladium review - celebrating 40 glorious years of filth and defiance

Helen Hawkins

Age has not withered one jot the FAs' fury at the absurdities of modern life

Frank Skinner: 30 Years of Dirt, Gielgud Theatre review - a mature master of class-A smut

Helen Hawkins

Has Skinner's act got less dirty over the years, or audiences more so?

Tatty Macleod, Soho Theatre review - cross-Channel relations

Veronica Lee

Entertaining debut from TikTok star who grew up England and France

Best of 2023: Comedy

Veronica Lee

Comebacks, emotional journeys and assured debuts

Reuben Kaye, Purcell Room review - Australian gives powerhouse performance

Veronica Lee

Cabaret setting for biographical comedy and songs

Trevor Noah: Off the Record, O2 review - welcome return to standup for the polyglot motormouth

Helen Hawkins

Back on tour, the former TV host has lost none of his charisma and charm

Lucy Beaumont, Touring review - Hull’s finest goes on the road

Veronica Lee

Taskmaster star has some tall tales

Michael McIntyre, Brighton Centre review - observational everyman

Veronica Lee

Jovial comic's first tour in five years

John Robins, touring - high anxiety can be funny

Veronica Lee

Addiction and angst laid bare

Peter Kay, O2 Arena review - comeback show is worth the wait

Veronica Lee

Nostalgia-fest delivers an emotional punch

Kate Berlant Is KATE, Soho Theatre review - glorious spoof of actory types

Veronica Lee

US comic brings her off-Broadway hit to the UK

Edinburgh Fringe 2023 review: Ahir Shah

Veronica Lee

Deserved winner of prestigious award

Edinburgh Fringe 2023 reviews: Janine Harouni / Paddy Young / Ian Smith

Veronica Lee

Family life, the perils of flatshares, and how to beat stress

Edinburgh Fringe 2023 reviews: Olga Koch / Bill O'Neill / Mary O'Connell

Veronica Lee

An eventful adult gap year, masterful mayhem, and an accomplished debut

Edinburgh Fringe 2023 reviews: Darran Griffiths / Louise Atkinson / Louise Young

Veronica Lee

Infertility, friendship, and leaving chaos behind

Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

Veronica Lee

Women in tune, musical improv, and a backstage story

Edinburgh Fringe 2023 reviews: Rob Auton / Laura Davis / Matt Forde

Veronica Lee

Storytelling magic, a fantastical journey, and political satire

Edinburgh Fringe 2023 reviews: Amos Gill/ Lorna Rose Treen/ Crizards

Veronica Lee

An anti-whinge Australian, delightfully silly sketches and a war spoof

Footnote: a brief history of British comedy

British comedy has a honourable history, dating back to Chaucer’s Canterbury Tales, through Shakespeare’s and Restoration plays to Victorian and Edwardian music hall and its offspring variety, and on to Monty Python’s Flying Circus, working-men’s clubs, 1980s alternative comedy, and today's hugely popular stand-up acts in stadiums seating up to 20,000 people.

In broadcast media, the immediate decades after the Second World War marked radio’s golden age for comedy, with shows such as ITMA, The Goons, Round the Horne and Beyond Our Ken. Many radio comedy shows transferred to even greater acclaim on television - such as Hancock’s Half Hour, The Hitchhiker's Guide to the Galaxy, Knowing Me, Knowing You, The Day Today, Red Dwarf, The League of Gentlemen, Goodness Gracious Me and Little Britain.

In television, the 1970s and 1980s were the great age of British sitcom, when shows such as Steptoe and Son, Till Death Us Do Part, Rising Damp, Dad’s Army, Porridge, Yes, Minister, Only Fools and Horses, Fawlty Towers and Blackadder. They were marked by great writing, acting and directing, although the time should also be noted for great British dross such as On the Buses and Love Thy Neighbour.

By the 1990s, British sitcom had developed into intelligent über-comedy, with shows such as Absolutely Fabulous and The Office making dark or off-kilter (although some would say bad taste) shows such as Drop the Dead Donkey, Peep Show, Green Wing and The Inbetweeners possible. In film, British comedy has had three great ages - silent movies (Charlie Chaplin being their star), Ealing comedies (Passport to Pimlico perhaps the best ever) and Carry On films. The first are in a long tradition of daft physical humour, the second mark the dry sophistication of much British humour, and the last the bawdiness that goes back to Chaucer.

The 2000s marked the resurgence of live comedy, with acts (including Jimmy Carr, Peter Kay and Russell Howard) honing their talents at successive Edinburgh Fringes and their resulting TV, stadium tour and DVD sales making millionaires of dozens of UK comics. Comedians cross readily from TV to stand-up to film to West End comedy theatre. The British comedy industry is now a huge and growing commercial business, with star comics such as Peter Kay and Michael McIntyre grossing tens of millions of pounds from arena tours, and attendances of up to 20,000 at venues across the UK.

Close Footnote

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

latest in today

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small scale shows, nurtured in offbeat places, are becoming all the rage in the...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...

Testmatch, Orange Tree Theatre review - Raj rage, old and ne...

Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...