tue 02/03/2021

film directors

One Night in Miami review - black history come alive

In 1964, Cassius Clay, NFL superstar Jim Nathaniel Brown, soul legend Sam Cooke and political firebrand Malcolm X gathered for one night in a dingy room at the Hampton Motel. It was a meeting that became a symbol of hope for black Americans. A photo...

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Best of 2020: Film

It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of...

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The Midnight Sky review – flawed but moving apocalyptic sci-fi

The last time George Clooney was in a space movie, Gravity, he and Sandra Bullock were marooned above Earth and desperate to get home. The Midnight Sky has the opposite dynamic: here Clooney is Earthbound, urgently trying to warn...

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Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'

Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into...

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Blu-ray: Goodbye, Dragon Inn

In his exclusive half-hour-plus interview for distributor Second Run, the affable Tsai Ming-Liang makes a striking admission: “I make very uncommercial films.” Viewers of the extra will most likely have just finished Goodbye, Dragon Inn (Bú sàn) (...

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Another Round review - delight and despair

You can practically smell the fumes coming off Thomas Vinterberg’s latest drama Another Round, known in Denmark simply as "Druk". Co-written with Tobias Lindholm, the story is anchored in a theory proposed by Finn Skårderud that humans have a blood...

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Leap of Faith review – Alexandre O. Philippe examines ‘The Exorcist’

“Films are about the mystery of fate or the mystery of faith,” proclaims director William Friedkin in Alexandre O. Philippe’s latest documentary, Leap of Faith. At 84 years old, Friedkin proves himself to be a master of storytelling, not only behind...

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Billie review – new documentary captures the rebel

Listen to "The Blues are Brewin", "You Better Go Now", or even "I’ll be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience. She lived a...

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Filmmaker Bassam Tariq: 'Great cinema doesn't need to be perfect - embrace the imperfections'

After Bassam Tariq's feature debut These Birds Walk was released at SXSW 2013, things seemed to slow down. The documentary about a runaway boy in Pakistan garnered strong reviews, but soon Tariq was working in a New York butchers pondering his...

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Cordelia review – Antonia Campbell-Hughes and Johnny Flynn star in an off-kilter tale of trauma

There's something deeply uncanny about Adrian Shergold's Cordelia. When the film's poster was released on social media, many mistook it for a kinky period drama with the power dynamics reversed. It definitely isn't a costume drama, but...

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LFF 2020: Nomadland review - Francis McDormand gives a career-defining performance

Chloé Zhao’s The Rider was a film of rare honesty and beauty. Who would have thought she’d be able to top the power of that majestic docudrama? But with Nomadland she has.To call it a loose adaptation of Jessica Bruder’s Nomadland: Surviving America...

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Being A Human Person review - enter the surreal world of Roy Andersson

It’s fair to say that the idiosyncratic, surrealist films of Roy Andersson are not everyone’s cup of tea. Whether you find his films impregnable or incisive, it’s impossible to argue with the artistic imprint the Swedish auteur has had on European...

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