fri 26/11/2021

film directors

House Of Gucci review – gloriously gawdy trash

Back in 2013, Gina Gershon chewed up the scenery in the daytime movie House of Versace. Focusing on the murder of Gianni Versace, it was a tacky, cheap drama that knew what it was, and was all the more entertaining for it. The same can’t be said of...

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Bruised review - Halle Berry takes the blows and does it her way

A classic specimen of the “what doesn’t kill you makes you stronger” school, Bruised is Halle Berry’s directorial debut. It was back in 2002 that Berry won a Best Actress Oscar for Monster’s Ball, and Bruised suggests that, at 55, she may have found...

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The Story of Looking review – bedside musings on how and what we see

Mark Cousins, the multi-award winning director of this strange film, is lying in bed watching Ray Charles speaking on the Dick Cavett Show in 1972. The singer went blind in childhood; how would he respond if offered the chance to see again? “I might...

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The Electrical Life of Louis Wain review - visually arresting biopic

On its surface, a biopic of a late-Victorian artist starring big British talents including Benedict Cumberbatch, Andrea Riseborough and Claire Foy, sounds like typical awards fare for this time of year. Will Sharpe, best-known for directing the dark...

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Blu-ray: The World of Wong Kar Wai

There is an irony in the fact that the most celebrated of auteurs to emerge during Hong Kong’s "Second Wave" of directors in the 1980s did not originate from within the bounds of the administrative region. Born in Shanghai, Wong Kar Wai was the son...

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The Woman in the Window review - hitching a ride with Hitch

Darkest Hour may have been director Joe Wright’s finest hour, but we can say for certain that, despite its impressive cast, The Woman in the Window isn’t. Concocted from A J Finn’s titular novel with a screenplay by Tracy Letts, it’s a perplexingly...

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Black Bear review - unexpected knotty treat

We’ve all experienced the “fast food film” – enjoyable while we watch it, but realise afterwards it was an empty thrill with little nutritional value. Much rarer is the film that can only be truly appreciated once the credits roll. Black Bear, with...

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Sound of Metal review - hidden depths behind the decibels

I once went to see Motorhead, back in the days when real men didn’t wear earplugs, and afterwards it was if somebody had completely sawn off the top half of my hearing register. Weird and scary, and the band were putting themselves through that...

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Filmmaker Darius Marder: 'Deafness is a culture. That's not being PC'

Sound of Metal has been a long time coming. Director and writer Darius Marder faced years of delays ranging from casting changes to the whole world shutting down. Was it worth the wait? Well, six Academy Award nominations including Best Film...

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My Father and Me, BBC Two review - Nick Broomfield's moving voyage around his family

Nick Broomfield made his first film 50 years ago, and his career over those five decades (and some three dozen works) has been as distinctive, and distinguished as that of any British documentary maker. It has ranged from early films on British...

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Verdict review - social realism and court procedural combine in powerful Manila drama

There’s something of an anomaly in Filipino director Raymund Ribay Gutierrez’s debut feature between its fast-moving dramatic opening, defined by an agile hand-held camera, and the much slower, more static scenes that follow. That early material,...

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One Night in Miami review - black history come alive

In 1964, Cassius Clay, NFL superstar Jim Nathaniel Brown, soul legend Sam Cooke and political firebrand Malcolm X gathered for one night in a dingy room at the Hampton Motel. It was a meeting that became a symbol of hope for black Americans. A photo...

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