Four storeys above Oxford Circus, the noise and bustle recedes to be replaced by a parallel universe of gleaming glass-fronted workspaces and discreet installations of modern art. The room where I am sitting looks towards the upper reaches of the grand neo-classical façade of the London Palladium, framed by a blue early evening spring sky.
The relationship between words and music is a long one — but not an exclusive one. Indeed, the idea of a chamber music festival with words and storytelling at its heart has ruffled a few feathers. After all, there is a wealth of repertoire for instrumentalists alone - isn’t this what Sheffield Chamber Music Festival is here to celebrate?
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
First Person: St John's College choral conductor Christopher Gray on recording 'Lament & Liberation'
the future of arts journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
