book reviews and features
the future of arts journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Cate Blanchett is not a diva, but a star. Thanks to her boundless versatility and yen for risk-taking, she's at home in arthouse films as…
As a reviewer, if you’re lucky, you get a tingle down the spine – rarely, but you know it when you feel it. It’s the sensation of seeing…
JS Bach: St John Passion Pygmalion/Raphaël Pichon (Harmonia Mundi)Handel: Messiah Irish Baroque Orchestra/Peter Whelan (Linn…
Hidden among rampant foliage, a couple makes out with an urgency transmitted through Cecily Brown’s vigorous brush marks (pictured below…
The pairing of Chemical Brother Tom Rowlands and Norwegian pop star Aurora sounds interesting but not, on paper, like the formula for…
“Welcome” reads a sign hidden behind a metal screen whose spider-web of bars is designed to keep out unwelcome visitors (pictured below:…
The new version of Ibsen’s classic by Anya Reiss at the Almeida prompted me to wonder at times whether wrenching a play out of its era and…
A concert by the National Youth Orchestra is like no other. For one thing, there are 160 of them – you simply don’t get the kind of power…
When Jim Jarmusch won the Golden Lion at last year’s Venice film festival, it came as something of a surprise. The best film award had been…