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aleks.sierz |

Over the past few years, the National Theatre has specialised in trilogies. End is the final play in both playwright David Eldridge’s outstanding trilogy and in this venue’s former director Rufus Norris’s Dorfman programme.

David Nice
That spirit of delight which hovered over Christopher Alden’s stylish/surreal Handel bagatelle when I first saw it in the 2017 revival soars on eagle…
johncarvill
Bliss it was to be a fan of Thin Lizzy 50 years ago, in November 1975. Phil Lynott referred to fans as “supporters”, an apt term given Lizzy were…
Helen Hawkins
The ballet world will soon run out of titles signifying a renaissance. After ENB’s recent Re:evolution comes London City Ballet’s Rebirth, following…

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Bleeps and beats nostalgia more than tops expectations
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Bennett’s virtuosic prose returns to ponder intimacy, but treads some old ground
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Storytelling that playfully wrongfoots the audience
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New play about porn addiction is rather superficially imagined and lacks drama
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Feminism to the fore as drama disappoints
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Lavish adaptation of Suzanne Collins’ dystopian adventure
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