Queerness is subversive – it dissolves gender binaries. You know the kind of thing: male/female, straight/gay, married/single, fixed/fluid. Likewise, queer theatre typically calls into question all the genre norms: comedy/tragedy, naturalism/symbolism, everyday story/tale of horror.
The key track gives the album its title. “Where the Fades Meet” opens with swelling strings, which are swiftly underpinned by groovy, shuffling, percussion. The lyrics are carried by a chorale singing of a “fading signal”, “stillness” and “shadows.” It seems to about what lies in the gaps between the perceivable. The melody has a vaguely eastern Mediterranean lilt.
Help secure the future of arts journalism
In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.
If you like what you see here, please join us in this mission.
Subscribing to the site will help us in our coming redesign and expansion.
If you do this before the 31st August this will be at our guaranteed founder’s rate:
your subs will never increase again.
Subscribe now for £5 per month.
or yearly for just £40.
Or if you simply want to support us with a one-off donation, you can do so here.
O'Sullivan, Fantasia Orchestra, Fetherstonhaugh, Smith Square Hall review - the sassy airs of summer
latest in today
