The man who made Interstellar, Tenet and Oppenheimer can hardly be accused of not thinking big. Now, with The Odyssey, he’s thinking epic. Clocking in at a whisker under three hours and peppered with bankable stars, Christopher Nolan’s take on Homer’s imperishable poem is a bold attempt to recreate the ancient world of the 12th Century BC, with its gods, monsters and all.
Buxton’s summer jamboree for opera lovers this year offers a brace of baroque works, written 90 years apart, with the character of sorceress as their common feature.
Handel’s Amadigi di Gaula was one of the string of Italian operas created by him for London shortly after his arrival in Britain. First seen in 1715, it has four soloists only and the conventional unities of time and place – though early performances were apparently given with spectacular stage effects.
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O'Sullivan, Fantasia Orchestra, Fetherstonhaugh, Smith Square Hall review - the sassy airs of summer
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