sun 22/12/2024

westerns

theartsdesk Q&A: Viggo Mortensen on 'The Dead Don't Hurt', Westerns and the dangers of patriotism

Viggo Mortensen has parlayed film stardom into the life of a hard-working, bohemian-minded gentleman scholar. His Lord of the Rings fees financed Perceval Press, which publishes books of poetry, photography and anthropology by himself and others,...

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The Promised Land review - gripping Danish Western

Impassive, immovable, relentless  – Mads Mikkelsen’s Ludvig Kahlen, a fatherless army captain turned sodbuster in Nikolai Arcel’s The Promised Land, recalls the Hollywood Western’s most obdurate “rugged individuals”.At the peak of his powers in...

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The Settlers review - a western populated only by anti-heroes

From its opening shot – of a flock of sheep backlit by the sun’s rays – The Settlers is visually stunning. But the beauty ends there; as the narrative unfolds, it becomes clear that everything else about this episode in Chile’s history is cruel and...

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Bronco Billy, Charing Cross Theatre - schmaltzy musical brings the feelgood factor just when it's needed

When entering a particular, well-populated region of MusicalTheatreLand, one has to check in a few items at the border. Weary cynicism, the desire for narrative coherence, that nerve that starts to throb when sentimentality oozes across the fourth...

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Cowbois, Royal Court review - fabulously queer extravaganza

At its best theatre is a seducer. It weaves a magic spell that can persuade you, perhaps against your better judgement, to love a show. To adore a show; to enjoy yourself. This, at least, is my experience of Charlie Josephine’s Cowbois, a queer...

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Killers of the Flower Moon review - the Osage tragedy

At the centre of Martin Scorsese’s Killers of the Flower Moon, closely adapted from the 2017 non-fiction book by the investigative journalist David Grann, is the true story of how the white former doughboy Ernest Burkhart (Leonardo DiCaprii) was...

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Strange Way of Life review - Pedro Almodóvar's queer Western

Less is more, except when it isn’t. Among the latest batch of overlong Oscar-tipped movies by celebrated auteurs such as Christopher Nolan (Oppenheimer with a running time of 181 minutes) and Martin Scorsese (Killers of the Flower Moon, 207 mins),...

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Oklahoma!, Wyndham's Theatre review - radical reimagining adds plenty but achieves less

It is, perhaps, important to note that this production was first staged in London at the Young Vic, a venue noted for shows possessed of a rather harder edge than that usually connoted by the description "West End musical".On leaving the theatre...

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The English, BBC Two review - Emily Blunt's date with destiny on the prairies

Writer and director Hugo Blick isn’t afraid of getting stuck into some knotty and morally complicated issues, whether it’s Middle Eastern politics (The Honourable Woman) or the Rwandan genocide (Black Earth Rising), but perhaps he wouldn’t be your...

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Blu-ray: The Proposition

Commenting on Australia’s horrendous colonial history at the start of an audio commentary packaged with this BFI Blu-ray release of John Hillcoat’s impeccably directed, newly restored The Proposition (2005), Alexandra Heller-Nicholas declares, “It’s...

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The Power of the Dog review - of rawhide and roses

The archetypal fascinating male in Jane Campion’s films – whether his allure for a woman owes to his earthy virility or emotional sensitivity, his animal appeal or his soul – has a malign other.That’s true of The Piano (1993), In the Cut (2003) and...

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Blu-ray: Johnny Guitar

Watching this restored print of Nicholas Ray’s delirious Western reminded me of the discovery that those pristine white statues of the Ancient World had once been painted in gaudy colours. When I first saw Johnny Guitar, it was one of those movies...

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