new releases on cd & dvd
Kieron Tyler |

The Somnambulist, the debut album from Lunar & The Deception, showcases a goth-leaning rock which is imbued with a good dash of the anthemic. Take the album’s third track “Your Monsters”: while strings swirl through a guitar-based chug, the choruses are uplifting – lighters beg to be held aloft in accompaniment.

graham.rickson |

Journalist Daniel Farson’s meteoric rise is neatly outlined on this disc, containing 14 of the short television films he presented for the fledgling ITV channel Associated-Rediffusion between 1957 and 1963.

Thomas H. Green
Squeeze have done well. They’ve worked their arses off for years and now have significant profile again, playing some of Europe’s bigger venues (such…
peter.quinn
Released once again in advance of International Women's Day, The Sisterhood 2 is a worthy successor to Sarah Jane Morris and Tony Rémy's celebrated…
Tim Cumming
Catrin Finch has been at the top her field for a long time now. The Welsh harpist was appointed to the ancient office of Royal Harpist by Prince…

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

Ibi Keita
World music meets every other genre in this new project
Kieron Tyler
When guitar solos are as important as the meaning of the song
Tom Carr
Earnest and from the heart one moment, paranoid and uncertain the next
Ibi Keita
Beautifully crafted, but not quite timeless
Thomas H. Green
Despite welcome Caribbean flavours most songs lack real weight
Ellie Roberts
A return delivered with growth, vulnerability, and a renewed artistic spark
Guy Oddy
Electroclash original remains direct, filthy and more than relevant
Sebastian Scotney
A new work rewards detailed listening
Katie Colombus
An ode to reinvention that's not quite a pop album but not a film score either
Joe Muggs
The Belfast master of slow, sad club sounds is on peak form
Guy Oddy
Jill Scott’s first album in over a decade is an absolute gem
graham.rickson
Superb performances and restrained direction elevate David Lynch's detour into the mainstream
Ibi Keita
A boom bap return that feels as personal as it is timeless
Sebastian Scotney
A look back at the long-gone world of the original songs
Thomas H. Green
Ten tracks that revel furiously in distortion and boundary-pushing
Joe Muggs
International stars flip art-pop classics into highlife, dub, Detroit electro and more
Kieron Tyler
Forethought, formal precision and the odd dive into linear rock
Tim Cumming
Powerful debut set of Anglo-Irish tunes and songs
Thomas H. Green
10 tracks of offbeat sounds that bubble with percussive heft
Joe Muggs
A sprawling epic of Arabic gothic ambition
Guy Oddy
French electro-hipster lays down pop hooks, woozy head-spins and mellow folktronica
Miriam Figueras
Latest film noir compendium shows a murky post-war Britain of racketeers, gold-diggers, and displaced soldiers
Ellie Roberts
A slightly clunky but impressive effort
Thomas H. Green
Deep-dipped in 1970s riffery but very much its own thing

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
I’ll never forget watching Tracey Emin reduce an audience to tears at the Royal Festival Hall. About 25 people were expected, but some 500…
The Somnambulist, the debut album from Lunar & The Deception, showcases a goth-leaning rock which is imbued with a good dash of the…
Pretty much any performance of Mahler’s “Resurrection” Symphony is a special occasion, but this one perhaps more so than most. For one…
Mark Simmons is, in the nicest possible way, an old-fashioned comic, in that he tells jokes. Puns, one-liners, slow-burners, delayed…
Journalist Daniel Farson’s meteoric rise is neatly outlined on this disc, containing 14 of the short television films he presented for the…
Talking to Dave Stewart is like being on a psychedelic roller-coaster. He’ll start with one thought, spin it round and turn it upside down…
Squeeze have done well. They’ve worked their arses off for years and now have significant profile again, playing some of Europe’s bigger…
The brainchild of Derry Girls creator Lisa McGee, this is a strange and tortuous tale which defies easy categorisation. There’s plenty of…
The title comes from the August 1965 Paul Revere & the Raiders single “Steppin' Out,” a paint-peeling stomp which just missed the US…