sat 05/04/2025

TV reviews, news & interviews

MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

Adam Sweeting

A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the verdant pastures of criminal low-lifery. It seems that top thespians are queueing up to bag a slice of Ritchie-world, and an impressive cast includes Pierce Brosnan, Tom Hardy and Helen Mirren.

This City is Ours, BBC One review - civil war rocks family cocaine racket

Adam Sweeting

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great tradition in rambunctious style. Sean Bean (pictured below) plays Ronnie Phelan, paterfamilias of a Liverpool cocaine-importing operation, with Jack McMullen as his son Jamie. Julie Graham steps up to the plate as Ronnie’s wife, Elaine.

The Potato Lab, Netflix review - a K-drama with...

Helen Hawkins

When the world’s darkness is too much, there is a Netflix rabbit-hole you can disappear down to a kinder place: the Korean romcoms section. This is a...

Adolescence, Netflix review - Stephen Graham...

Adam Sweeting

A dictionary definition of adolescence is “the transitional phase of growth and development between childhood and adulthood”, but in this four-part...

Drive to Survive, Season 7, Netflix review -...

Adam Sweeting

Last year’s sixth season of Drive to Survive radiated an air of diminishing returns. It was as though the novelty of its spy-in-the-paddock ethos was...

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A Cruel Love: The Ruth Ellis Story, ITV1 review - powerful dramatisation of the 1955 case that shocked the public

Adam Sweeting

Lucy Boynton excels as the last woman to be executed in Britain

Towards Zero, BBC One review - more entertaining parlour game than crime thriller

Helen Hawkins

The latest Agatha Christie adaptation is well cast and lavishly done but a tad too sedate

Bergerac, U&Drama review - the Jersey 'tec is born again after 34 years

Adam Sweeting

Damien Molony boldly follows in the hallowed footsteps of John Nettles

A Thousand Blows, Disney+ review - Peaky Blinders comes to Ripper Street?

Adam Sweeting

The prolific Steven Knight takes us back to a squalid Victorian London

Zero Day, Netflix review - can ex-President Robert De Niro save the Land of the Free?

Adam Sweeting

Panic and paranoia run amok as cyber-hackers wreak havoc

The White Lotus, Series 3, Sky Atlantic review - hit formula with few surprises but a new bewitching soundtrack

Helen Hawkins

Thailand hosts the latest bout of Mike White's satirical takedown of the rich and privileged

Hacks, Season 3, NOW review - acerbic showbiz comedy keeps up the good work

Adam Sweeting

Jean Smart's portrayal of Deborah Vance is an all-time classic

Surviving Black Hawk Down, Netflix review - the real story behind Ridley Scott's Oscar-winner

Adam Sweeting

Documentary series looks at the 1993 'Battle of Mogadishu' from both sides

Vietnam: The War That Changed America, Apple TV+ review - painful and poignant stories from a terrible conflict

Adam Sweeting

Fifty years later, the wounds still haven't healed

Paradise, Disney+ review - enigmatic drama with an unknown destination

Helen Hawkins

Dan Fogelman's new series has an excellent cast but a recycled premise

Brian and Maggie, Channel 4 review - Thatcherism's date with TV destiny

Adam Sweeting

James Graham's dramatisation of Brian Walden's fateful 1989 interview

Prime Target, Apple TV+ review - the appliance of science

Adam Sweeting

Boffins and baddies collide in Steve Thompson's complicated thriller

Out There, ITV1 review - drugs and thugs disfigure the Welsh landscape

Adam Sweeting

Martin Clunes stars in Ed Whitmore's smartly-written drama

What's the Matter with Tony Slattery?, BBC Two review - absorbing but troubling search for answers

Adam Sweeting

RIP TONY SLATTERY How mental illness cut short a brilliant showbusiness career

American Primeval, Netflix review - nightmare on the Wild Frontier

Adam Sweeting

Peter Berg's Western drama is grim but gripping

Lockerbie: A Search for Truth, Sky Atlantic review - Colin Firth stars in gruelling dramatisation of the 1988 terror attack

Adam Sweeting

Will we ever hear the full story of what happened to Pan Am Flight 103?

SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne's renegade warriors invade Italy

Adam Sweeting

Second helping of Steven Knight's hard-rockin' World War Two drama

The Split: Barcelona, BBC One review - a soapy special with seasonally adjusted sentimentality

Helen Hawkins

Abi Morgan's fine legal drama loses its sting on foreign soil

Best of 2024: TV

Theartsdesk

Stars of stage and big screen all want to be on the telly

Gavin & Stacey: The Finale, BBC One review - hilarious high five to an indelible cast of characters

Helen Hawkins

In Nessa, Ruth Jones has left behind a unique comic creation

10 Questions for Mark Gatiss, writer-director of 'A Ghost Story for Christmas: Woman of Stone'

Justine Elias

Gatiss explains why his eerie tale begins with its original Victorian-Edwardian author Edith Nesbit

All Creatures Great and Small, Christmas Special, Channel 5 review - Mrs Hall steps into the spotlight

Adam Sweeting

Everyday saga of Yorkshire vets does exactly what it says on the tin

Death in Paradise Christmas Special, BBC One review - who killed Santa Claus?

Adam Sweeting

Don Gilet steps into the detective's shoes on the island of Saint Marie

Strike: The Ink Black Heart, BBC One review - protracted, convoluted puzzler lifted by its leads

Helen Hawkins

The army veteran and his partner are still trapped in a detective-genre script

Footnote: a brief history of British TV

You could almost chart the history of British TV by following the career of ITV's Coronation Street, as it has ridden 50 years of social change, seen off would-be rivals, survived accusations of racism and learned to live alongside the BBC's EastEnders. But no single programme, or even strand of programmes, can encompass the astonishing diversity and creativity of TV-UK since BBC TV was officially born in 1932.

Nostalgists lament the demise of single plays like Ken Loach's Cathy Come Home or Mike Leigh's Abigail's Party, but drama series like The Jewel in the Crown, Edge of Darkness, Our Friends in the North, State of Play, the original Upstairs Downstairs or Tinker, Tailor, Soldier, Spy will surely loom larger in history's rear-view mirror, while perhaps Julian Fellowes' surprise hit, Downton Abbey, heralds a new wave of the classic British costume drama. For that matter, indestructible comic creations like George Cole's Arthur Daley in Minder, Nigel Hawthorne's Sir Humphrey in Yes Minister, the Steptoes, Arthur Lowe and co in Dad's Army, John Cleese's Fawlty Towers or Only Fools and Horses insinuate themselves between the cracks of British life far more persuasively than the most earnest television documentary (at which Britain has become world-renowned).

British sci-fi will never out-gloss Hollywood monoliths like Battlestar Galactica, but Nigel Kneale's Quatermass stories are still influential 60 years later, and the reborn Doctor Who has been a creative coup for the BBC. British series from the Sixties like The Avengers, Patrick McGoohan's bizarre brainchild The Prisoner or The Saint (with the young Roger Moore) have bounced back as major influences on today's Hollywood, and re-echo through the BBC's enduringly successful Spooks.

Meanwhile, though British comedy depends more on maverick inspiration than the sleek industrialisation deployed by US television, that didn't stop Monty Python from becoming a global legend, or prevent Ricky Gervais being adopted as an American mascot. True, you might blame British TV (and Simon Cowell) for such monstrosities as The X Factor or Britain's Got Talent, but the entire planet has lapped them up. And we can console ourselves that Britain also gave the world Jacob Bronowski's The Ascent of Man, David Attenborough's epic nature series Life on Earth and The Blue Planet, as well as Kenneth Clark's Civilisation. The Arts Desk brings you overnight reviews and news of the best (and worst) of TV in Britain. Our writers include Adam Sweeting, Jasper Rees, Veronica Lee, Alexandra Coghlan, Fisun Güner, Josh Spero and Gerard Gilbert.

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