fri 08/11/2024

tv

theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'

Adam Sweeting

Without ever getting embroiled in tabloid mayhem, even if he has confessed that he’d like to have a go on Strictly, David Morrissey has patiently turned himself into a quiet superstar.

Read more...

theartsdesk Q&A: Lucie Shorthouse is flying high with 'We Are Lady Parts' and 'Rebus'

Adam Sweeting

Lucie Shorthouse is enjoying some high-profile TV action with her roles in Channel 4’s We Are Lady Parts, about the adventures of an all-woman Muslim punk band, and in BBC One’s reincarnated Rebus.

Read more...

theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cycling

Adam Sweeting

Maybe California-born Matthew Modine caught the movie bug courtesy of his father Mark, who used to manage drive-in theatres, but after bagging his first film role in John Sayles’s Baby It’s You (1983) he never looked back. Blessed with a gift of employability that must make many of his fellow-actors green with envy, Modine has been clocking up a stream of memorable performances for 40 years on both the small and big screens.

Read more...

theartsdesk Q&A: Eddie Marsan and the American Revolution, posh boys and East End gangsters

Adam Sweeting

He’s not the kind of actor who has paparazzi following him around Beverly Hills or staking out his yacht in St Barts, but Eddie Marsan, born into a working class family in Stepney in 1968, has amassed a list of acting credits that your average superstar will never be able to match.

Read more...

Leslie Phillips: 'I can be recognised by my voice alone'

Jasper Rees

Leslie Phillips would have known for half a century that at his death, which was announced yesterday, the obituaries would lead with one thing only. However much serious work he did in the theatre and on screen, he is forever handcuffed to the skirt-chaser he gave us in sundry Carry Ons and Doctor films and London bus movies.

Read more...

'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022

Jasper Rees

Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won the Man Booker Prize in 2009. Three years later its successor, Bring Up the Bodies, became the first sequel ever to win the prize in its 44-year history.

Read more...

theartsdesk Q&A: writer and comedian Tom Davis

Adam Sweeting

After leaving school at 14, Tom Davis spent 10 years working as a scaffolder on building sites, while always harbouring what he thought was the impossible dream of getting into comedy. Hailing from Sutton in south London, he had a go at standup and for a time found himself in drag, singing Disney songs.

Read more...

theartsdesk Q&A: Isabella Pappas on how 'Finding Alice' is a blueprint for bereavement

Laura De Lisle

Isabella Pappas was nominated for an Olivier Award seven years ago – before she’d even started secondary school. The 18-year-old now stars in ITV’s new comedy-drama about grief, Finding Alice, opposite Keeley Hawes, Joanna Lumley, and Nigel Havers.

Read more...

theartsdesk Q&A: actor Polly Walker on 'Bridgerton' and the new breed of period drama

Laura De Lisle

Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet.

Read more...

theartsdesk Q&A: actor Gemma Whelan

Adam Sweeting

She's not quite a household name yet, but Leeds-born Gemma Whelan is heading speedily in that direction. Having started out as a standup comedian, winning the Funny Women Variety Award in 2010, Whelan began notching up film and TV roles, en route to making a significant breakthrough by being cast as Yara Greyjoy in HBO's Game of Thrones.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Tales of Hoffmann, Royal Opera review - three-headed mon...

Having all but sunk one seemingly unassailable opéra comique, Bizet’s Carmen, director Damiano Michieletto...

The Day of the Jackal, Sky Atlantic review - Frederick Forsy...

Fred Zinnemann’s 1973 film The Day of the Jackal was successful thanks to its lean, almost documentary-like treatment of its story of a...

Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review...

Pavel Kolesnikov returned to the Hallé last night with a bobby-dazzler of a concerto. He’s a laid-back dude in appearance, with no tie, flapping...

L’Addition, BAC review - top billing for physical comedy duo

Can experimental theatre survive the decades? This year marks the 40th anniversary of the Forced Entertainment theatre company, whose mission is...

The Problem With People review - local zero

A quarter of an hour into The Problem With People, there’s a 15-second clip of Bill Forsyth’s Local Hero – and it’s the best...

Album: Garfunkel & Garfunkel: Father and Son

A father and son union – the first joint collaboration by Garfunkel père et fils. Art Junior it seems has already released two solo...

Tucker Zimmerman, The Lexington, London review - undersung o...

Tucker Zimmerman is singing a number called “Don’t Go Crazy (Go in Peace)”. At 83, he performs sitting down. Surrounded by support band Iji, who...

Album: Primal Scream - Come Ahead

In many ways, Primal Scream have had a strikingly similar career path to the Rolling Stones – despite them forming some 20 years after Mick and...