sun 25/10/2020

tv

theartsdesk Q&A: actor Gemma Whelan

Adam Sweeting

She's not quite a household name yet, but Leeds-born Gemma Whelan is heading speedily in that direction. Having started out as a standup comedian, winning the Funny Women Variety Award in 2010, Whelan began notching up film and TV roles, en route to making a significant breakthrough by being cast as Yara Greyjoy in HBO's Game of Thrones.

Read more...

Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

Adam Sweeting

Apparently in Denmark they pronounce screenwriter Adam Price’s surname as “Preece”, but its English-looking spelling stems from the fact that his ancestors moved from London to Denmark in the 18th century.

Read more...

John Mahoney: 'I wanted to be like everybody else'

Jasper Rees

In 11 seasons of Frasier, John Mahoney played Marty Crane, a cussed blue-collar ex-cop who couldn’t quite understand how his loins came to produce two prissily cultured psychiatrists. His ally in straight-talking was his physiotherapist Daphne, whose fish-out-of-water flat-cap vowels were apparently the result of a gap in the scriptwriters’ field of knowledge.

Read more...

theartsdesk Q&A: Steven Knight and Cillian Murphy of Peaky Blinders

Ralph Moore

Like a lot of people, I came late to Peaky Blinders, bingeing on the first two brutal, but undeniably brilliant, series like the proverbial box-set sensation it quickly became.

Read more...

Douglas Henshall: 'You can get stuck when you’ve been in the business for 30 years' - interview

Jasper Rees

“I’m mad as hell and I’m not going to take this anymore!” In 1976 American anger about the state of the nation was channelled into Network, in which cinema satirised its kid sibling television as vapid and opportunistic. Paddy Chayefsky’s script, directed by Sidney Lumet, starred Peter Finch as Howard Beale, a news anchor who has a nervous breakdown on screen in which he starts preaching and becomes the news.

Read more...

David Oakes: 'I haven’t done anything as bad as my characters'

Jasper Rees

“He has something of Dillane about him.” Thus Patrick Marber on David Oakes. “I rate him very highly indeed. One of the very best of his generation.” Audiences at the Theatre Royal Haymarket will be able to judge for themselves this autumn. Oakes, 34, stars opposite Natalie Dormer in Marber’s production of Venus in Fur, a sizzling two-hander by David Ives.

Read more...

theartsdesk Q&A: Director Peter Kosminsky, Part 2

Jasper Rees

It was only at the dawn of the Blair age that Peter Kosminsky truly emerged as a basilisk-eyed observer of the nation’s moral health. By the time New Labour came to power in 1997, Kosminsky had been working for several years on a film which was eventually broadcast in 1999. Warriors, an award-winning account of the traumatic fallout of peacekeeping in Bosnia, served as a prequel to a trilogy of films in which he tracked the ethical degradation of the Blair decade.

Read more...

theartsdesk Q&A: Director Peter Kosminsky, Part 1

Jasper Rees

The name will never trip off the public tongue. Millions watch his work - most recently his superb realisation of Hilary Mantel's Wolf Hall. But there is no hall of fame for television directors. It’s only on the big screen that they get to be big shots. The difference with Peter Kosminsky (b 1956) is, although it’s the title he takes in the credits, he's not really just a director.

Read more...

Olivia Williams interview: 'Are you on drugs?' 'No I've just spent the day acting'

Jasper Rees

Olivia Williams’s first film was, (in)famously, seen by almost no one. The Postman, Kevin Costner’s expensive futuristic misfire, may have summoned her from the depths of chronic unemployment, but the first time anyone actually clapped eyes on her was in Wes Anderson’s Rushmore, in which Bill Murray most understandably falls in love with her peachy reserved English rose. Then came The Sixth Sense, in which with great subtlety she in effect gave two performances as...

Read more...

Anna Maxwell Martin: 'I like playing baddies' - interview

Heather Neill

She was Lyra in Philip Pullman’s His Dark Materials at the National, she has shared the stage with Eileen Atkins (in Honour and The Female of the Species), played Isabella in Measure for Measure, Regan in King Lear and Sally Bowles in Cabaret.

Read more...

Pages

latest in today

The Secret Garden review - blooming charming

With Netflix releasing Rebecca on Wednesday, who’d have thought that a...

City of London Sinfonia, Southwark Cathedral / Kanneh-Masons...

“Live music is back,” runs the Barbican's latest slogan, so...

Reissue CDs Weekly: Kraftwerk - in colour, from Autobahn to...

After Florian Schneider left Kraftwerk in 2008, Ralf Hütter was left in the driving seat. The pair had first been heard on record in 1970 as...

Blu-ray: Lynn + Lucy

If you’re after a relaxing Sunday watch, Fyzal...

Rebecca review - mishap at Manderley

When it was announced that Ben Wheatley would be...

One Man and His Shoes review - beautifully crafted, fast-pac...

“Black people, since the beginning of time, have always made things cool. Jazz, rock ’n’ roll… pick anything from a cultural standpoint and we...

Album: Gorillaz - Song Machine: Season One - Strange Timez

The cast list for Song Machine…, the seventh album...

Summer of 85 review - a tender, tragic coming-of-age

Intriguingly, Summer of 85 could have...

Tasmin Little Farewell Recital, RFH review - memories, tribu...

Bidding farewell to the Royal Festival Hall, Tasmin Little was at the very peak of her powers. It’s almost unthinkable that we will never see her...