wed 18/09/2024

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Leslie Phillips: 'I can be recognised by my voice alone'

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'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022

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10cc, London Palladium review - still firing rubber bullets 50 years on

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William Hurt, great Hollywood contrarian, has died at 71

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The Men They Couldn't Hang, Powerhaus Camden review - raucous farewell to the fallen

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Antony Sher: 'I discovered I could be other people'

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Remembering Henry Woolf, Harold Pinter's oldest friend

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Helen McCrory: 'If there's one interesting thing about acting it's trying to lose your ego'

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'I loved being a dresser': Sir Ronald Harwood, Oscar-winning writer, dies at 85

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Ian Holm, British film's best supporting actor

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Larry Kramer: 'I think anger is a wonderful useful emotion'

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Elizabeth Kay: Seven Lies review - can big-money debut match the hype?

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Remembering John Prine, one of the great American singer-songwriters

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Roy Hudd: 'I was just trying to make 'em laugh'

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Country Music by Ken Burns, BBC Four review - grand history of fiddlers on the hoof

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'By the end I’d lost me': Joe Simpson, mountaineer and writer - interview

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Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...