sat 02/12/2023

Interviews with leading figures from the arts

32 Sounds: Interview with innovative documentarian Sam Green about his audio and visual feast

Saskia Baron

Sam Green’s film 32 Sounds has been described as the greatest documentary you’ve ever heard, which is a pretty noisy claim – how does anyone know all the documentaries you’ve experienced? What is certainly true is that the way Green presents his films as immersive events, where musicians play the soundtrack live, the audience wear headphones and the director narrates, makes for a very unusual cinema experience.    

10 Questions for the avant-pop icons Stereolab

Cheri Amour

Just over 30 years ago, avant-pop icons Stereolab released their debut album Peng! establishing the early hallmarks of the English-French band’s sound; 1960s pop harmonies, chorus-laden guitar riffs and a borderless world of analog electrics.

'The people behind the postcards': an...

Hannah Hutchings-Georgiou

Priya Hein’s debut novel, Riambel, is an excoriating examination of Mauritius’ socio-political structures and the colonial past from which they have...

Warhol, Velázquez, and leaving things out: an...

Alice Brewer

Motion Sickness (1991) is the second novel published by the writer, art collector and cultural critic Lynne Tillman. It is difficult, to her credit,...

'We wanted to make a record we really love...

Tim Cumming

One day, someone will compile a full illustrated history of Rolling Stones press conferences, going right back to Mick and Keith in 1964 buying a...

Composer and conductor Carl Davis, 1936-2023

Graham Rickson

theartsdesk Q&A from 2021 with the silent film specialist on shot lists, bass drums and projection speeds

Isabelle Huppert and director Jean-Paul Salomé: 'Cinema is about a little trade, a little business'

Nick Hasted

La Syndicaliste's star and director discuss misogyny, ambiguity and the quest for perfection

theartsdesk Q&A: musician Susanne Sundfør - ‘Blómi is a message of hope for whoever might need it’

Kieron Tyler

Interviewed about her new album, the Norwegian singer-songwriter reveals its inspirations - family, flowers and much more

Filmmaker Tarik Saleh: ‘A director is at heart an immigrant’

Nick Hasted

Cairo Conspiracy's director talks power, Egypt, Islam and Le Carré

'I let it emerge': an interview with Fiona Benson on the cusp of the TS Eliot Prize announcement

Jack Barron

The poet discusses her new book, mayflies, motherhood, and memory

'Corsage' director Marie Kreutzer: 'Being beautiful is her only currency'

Nick Hasted

The Austrian director on Vicky Krieps, a rotting empire's rebel royal and corsetry as control

theartsdesk Q&A: filmmaker Mike Hodges

David Thompson

The British writer-director reflects on the making and meaning of his thriller 'Black Rainbow'

10 Questions for writer and translator Saskia Vogel

Hannah Hutchings-Georgiou

Translation as inhabiting in a book with a witchy love of things

10 Questions for comedian Alex Edelman

Veronica Lee

US comic talks about bringing 'Just For Us' to the Menier Chocolate Factory

10 Questions for Bruce Lindsay, biographer of Ivor Cutler

Sebastian Scotney

How the teacher-poet became like a Zelig figure across so many swathes of UK culture

Directors the Dardenne brothers: 'To be living means to be fragile'

Nick Hasted

The Belgian masters discuss 'Tori and Lokita', and finding humanity on film

Wilko Johnson (1947-2022): The Bard of Canvey Island

Nick Hasted

Snug-bar confessions in an epic Canvey Island encounter with the late Essex great

Q&A: Bianca Stigter, director of 'Three Minutes: A Lengthening'

Graham Fuller

The historian and filmmaker discusses her haunting documentary about a Polish shtetl filmed on the brink of the abyss in 1938

Leslie Phillips: 'I can be recognised by my voice alone'

Jasper Rees

Saying goodbye to the actor famous for saying hello

‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

Aleks Sierz

The playwright talks about 'Not One of These People', which he is performing himself, digital creativity and constraints on authorship

'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022

Jasper Rees

An interview with the novelist the morning after she won the Man Booker Prize for the first time

theartsdesk Q&A: Abel Selaocoe

Tim Cumming

The South African cellist and rising star of World and Classical on the music, life and history embedded in his debut album 'Where Is Home'

theartsdesk Q&A: Horn player Sarah Willis on returning to Cuba

Graham Rickson

Guaguancós, cha-cha-chas and crickets as the horn player commissions a new work in Havana

theartsdesk Q&A: bass-baritone Christopher Purves on communicating everything from Handel to George Benjamin

David Nice

The great singing actor on his best experiences - including Zurich Opera's new Ring

10 Questions for art historian and fiction writer Chloë Ashby

Hannah Hutchings-Georgiou

On sights, acts of seeing and book 'Wet paint', inspired by Manet’s 'A Bar at the Folies-Bergère'

theartsdesk Q&A: Marc Almond of Soft Cell

Harry Thorfinn-George

The Eighties icon tells how Andy Warhol, Chernobyl, nostalgia and the colour purple inspired the first Soft Cell album in 20 years

10 Questions for Musician Jarboe

Guy Oddy

'skin blood women roses', collaboration and the secret to excellent hearing

William Hurt, great Hollywood contrarian, has died at 71

Jasper Rees

A string of brilliant performances cemented his place as a great face of 1980s cinema

The unexpurgated Clement Crisp - in memoriam

Ismene Brown

The titan of ballet critics, who has died at 95, once agreed to be grilled - with scorching results

latest in today

A Sherlock Carol, Marylebone Theatre review – merry, but mir...

It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...

Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...

Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

Queendom review - an LGBTQ+ performance artist takes to the...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters