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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Early 2026 was always going to trump late 2025 in one respect: total clarity in a much-anticipated concert performance of Janáček's teeming…
There’s a slight “Sympathy For the Devil” tone to the opening seconds of “Pendulum Swing”, the first track on the US country adjacent…
To the great Weill interpreters she summoned at the start of her First person for theartsdesk, from Cathy Berberian to Tom Waits, can now…
Lawlessness and lack of accountability seem, tragically, on the verge of becoming a new American norm, so what better time to re-consider…
Composer Zoë Martlew’s album (Album Z) launch in the surround-sound environment of Hall 2 at Kings Place thrived on a theatricality rare…
As one of the characters tells us: “There are two sides to every story… someone is always lying.” This telly-isation of Alice Feeney’s…
Maybe it was the cold weather. Maybe it was the disparate list of comics on the bill. Maybe it was a host (Fatiha El-Ghorri) who said that…
In recent years, Sleaford Mods have moved on somewhat from sounding like an insistent and angry drunk yelling over a cheap Casio keyboard.…
Whichever Way You Are Going, You Are Going Wrong is the debut album by the London-based duo Woo. Originally issued on the Sunshine Series…
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If any readers can still remember 2024’s first iteration of Red Eye, they will have an approximate idea of the kind of things they can…
Stéphanie Di Giusto, who directed the Belle Époque arts biopic La Danseuse, about the groundbreaking Paris Opera performer Loie Fuller,…
A foreign-language release steeped in Catholicism isn’t exactly what you’d expect to top virtually every end-of-year album list. But…
As one of the characters tells us: “There are two sides to every story… someone is always lying.” This telly-isation of Alice Feeney’s…
When Hamlet the Dane talked about “the thousand natural shocks that flesh is heir to”, it was typical of the way that Shakespeare…
There’s a slight “Sympathy For the Devil” tone to the opening seconds of “Pendulum Swing”, the first track on the US country adjacent…
If your heart sinks every time a Shakespeare funny-man enters, here comes the RSC to put an unforced grin on your face. Its latest Feste is…
Composer Zoë Martlew’s album (Album Z) launch in the surround-sound environment of Hall 2 at Kings Place thrived on a theatricality rare…
To the great Weill interpreters she summoned at the start of her First person for theartsdesk, from Cathy Berberian to Tom Waits, can now…
Early 2026 was always going to trump late 2025 in one respect: total clarity in a much-anticipated concert performance of Janáček's teeming…