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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
“One pure sonofabitch 45. The record to put them high in the national charts. Top five at least.” In October 1976, the weekly music paper…
There is nothing to compare with the visceral experience of hearing a massed choir – in this case the 230-strong combined forces of the…
Tim Crouch is one of our great theatrical alchemists. Most famously – in his conceptual show An Oak Tree – he creates a portrait of grief…
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Stravinsky: Late Works Cappella Amsterdam, Nord Nederlands Orkest/Daniel Reuss (…
Spanning centuries, cultures and an ocean, Finn Anderson and Tania Azevedo’s new musical, Ballad Lines (say it fast and it sounds like…
It’s more than a decade since Opera North had a new production of The Marriage of Figaro, and 30 years since the one before that had its…
Location, location, location... a tangible sense of place and local identity can make or break a TV drama, and Under Salt Marsh …
In the 1990s, the world of electronic music was a frontier where the unimaginable often happened. These were the days of early Aphex…
In 2016, when Richard Jones's production of Musorgsky's original 1869 Boris Godunov first amazed us, Putin had invaded Crimea but not the…
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Location, location, location... a tangible sense of place and local identity can make or break a TV drama, and Under Salt Marsh …
I missed out on Miles Kane's earlier work with The Rascals, but was quickly seduced by his partnership with Arctic Monkey Alex Turner as…
Juraj Herz’s acclaimed dark comedy The Cremator proved too much for post-1968 censors, the film withdrawn from circulation in 1973 and…
Who is the real Grace Jones? This is the central question that drives Sophie Fiennes’s documentary, Grace Jones: Bloodlight and Bami. After…
Do you happily binge four hours of mind-candy TV in one sitting? Alecky Blythe’s latest verbatim play, Our Generation – which runs for 3hr…
Unknown Mortal Orchestra’s four albums all centre around off-kilter pop and flirtations with distortion; their latest LP, Sex & Food,…
Spanning centuries, cultures and an ocean, Finn Anderson and Tania Azevedo’s new musical, Ballad Lines (say it fast and it sounds like…
In his otherwise unremarkable 1932 debut play Dangerous Corner, JB Priestley employs a promising framing device that hints at the kind of…
The watertight theory behind the Credit Crunch Cabaret is that we all need cheering up, above all on Monday nights. Frank Skinner compered…
Fire and ice are the elements invoked at the start of Handel’s remarkable opera of jealousy and betrayal, yet what gives it its power is…