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new music reviews, news & interviews
Katie Colombus |

A lost weekend is time you can't account for: you come out of it changed, unsure quite how. Phoebe Bridgers, it seems, has been living inside one. Six years after Punisher, she returns not with interviews but phone-free pop-up shows for $20, and an album that drifts further out than anything she's done before: sixteen songs about losing her father, ending a relationship and falling headlong in love.

Liz Thomson |

Unlike in Britain, where the bar for entry is more survival than talent, “national treasure” is not a term in such wide currency in America. But Mavis Staples is indeed a National Treasure – rather, an International Treasure – writ large.

Joe Muggs
It’s easy to miss what an interesting artist Carly Simon is. I’ve certainly been guilty of it; bar a few undeniable gems, it felt like her oeuvre was…
Kieron Tyler
Temple Songs opens with “Arc Still Bends”. The song begins with filigreed acoustic guitar and Laura Veirs singing “the arc still bends towards…
Tim Cumming
Tread softly into Jon Batiste’s third volume of his Piano Series, Monk Meditations, drawing on and drawing out a number of introspective solo piano…

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Kieron Tyler
New York band’s blend of folk rock and psychedelia grabs attention
Joe Muggs
The London trio add toilet bowls and ugly crying to the hedonistic glamour
Thomas H. Green
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Sebastian Scotney
Ladysmith Black Mambazo and Laura Mvula shine
Thomas H. Green
The most epic regular record reviews in the galaxy
Ibi Keita
Garage, French House and feeling collide in latest release
Katie Colombus
A creative, inclusive, endlessly imaginative festival for families
Guy Oddy
Prolific Aussie psychedelicists marry dance and prog sounds
Mark Kidel
Fiery crowd-pleasing jazz marred by excess
Ellie Roberts
A soaring fusion of atmospheric melancholy and energetic punk
Kieron Tyler
A hymn to when driving was an end in itself
Kieron Tyler
A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
Guy Oddy
Punk veterans get decidedly trippy
Thomas H. Green
The American singer's eighth album is rife with downtempo ruminations on love
Joe Muggs
A thrilling blast of deep rooted culture and devout belief
Katie Colombus
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
Thomas H. Green
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
Sebastian Scotney
Tawadros plays with astonishing clarity, resolve and intent
Joe Muggs
A championing, but also perhaps a dilution, of South African innovation
Kieron Tyler
The return of a punk-era landmark of British art rock
Tom Carr
With a danceable rock feel she displays her burgeoning creativity
Liz Thomson
Leaves from a gilded songbook
Ibi Keita
The garage rockers don't do themselves justice on new album
Mark Kidel
Vibrant sounds from jazz and Indian masters

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