mon 30/12/2024

New Music Features

10 Questions for Black String’s Youn Jeong Heo

Tim Cumming

The first K-Music festival landed in London for than a decade ago, and has brought an eclectic range of bands and musicians from Korea to the stages of the capital, whether that’s the sorrowful storytelling tradition of Pansori, the sonic attack of bands like Jambinai or Black String, who return this year to King’s Place on 30 October, with the extraordinary sound of the gayageum – part harp, part oud, part theramin – under the hands of band leader Youn Jeong Heo.

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Here comes the flood: Bob Dylan's 1974 Live Recordings

Tim Cumming

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half century old, the 27 CDs of 431 performances, 417 of them previously unreleased, of Dylan and The Band’s 1974 arena tour of the US, is a set that challenges the listeners’ staying power perhaps more than it celebrates an epochal tour.

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theartsdesk at Jaminaround 2024 - preview of the unique Dorset venue's second edition

mark Kidel

We’re in deepest Dorset, on the edge of the village of Cranborne. The sun has just set. A cluster of thatched rooves, ancient looking barns and outhouses.

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10 Questions for folk singer-songwriter Olivia Chaney - 'deeply personal songs that open out to the universal'

Tim Cumming

The British folk artist and singer songwriter Olivia Chaney released her third solo album this week, as we break out into springtime, and she’ll be touring sporadically around the UK over the next few months, with a showcase at London’s Union Chapel in June.

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theartsdesk at Salzburg Jazz & the City Festival - perfection in free venues

Sebastian Scotney

As a cultural destination, Salzburg really is hard to beat. Each year, a million and a half tourists descend on this compact city with its baroque architectural delights, and a population of just 150,000. The city of Mozart and of the Salzburger Festspiele was also once home to Paracelsus, Heinrich Biber, Stefan Zweig, Georg Trakl, and more recently – of course – The Sound of Music and Red Bull.

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'The music business was created for people like me who are not criminal enough to go to jail, and not mad enough to go to the nuthouse'. Sinéad O'Connor, 1966-2023

Peter Culshaw

Sinead O’Connor, who has died aged 56, was, the world agrees, a brilliant, unstable, unique talent, a provocateur with an angelic voice. The Mirror’s front page yesterday was a moody black and white picture with the headline  “Nothing Compares…”.

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Appraising Billie Holiday's 'Fine and Mellow' - anatomy of a jazz masterpiece

Tony Staveacre

On December 8th 1957 there was a heavy snowstorm in New York. Ten elderly jazz musicians struggled to make their way through the drifts to a television studio on 10th Avenue. One of them – the bass player – collapsed in the street, and died in hospital three weeks later. But the others got through because they needed to be there, they wanted to be there to support Billie Holiday, who’d been their close friend and inspiration for more than 30 years.

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'Time Out of Mind' Revisited - a deep focus take on classic Dylan

Tim Cumming

The 1997 release of Time Out of Mind was the resurrection of an artist who appeared to have wandered off the reservation some years before, lost in transit on his Never Ending Tour, trailed by an army of "Bobcats" who followed him for show after grinding show. “How can you stand it?” he once asked of a woman who told him she’d seen dozens of NET gigs.

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First Person: Kings Place Artistic and Executive Director Helen Wallace on a year of 'Sound Unwrapped'

Helen Wallace

2023 is surely the year the performing arts reach peak "immersive", a word endangered by its own ubiquity. From Punchdrunk’s Burnt City to Danny Boyle’s The Matrix we are promised a swallowing-up by art. Kings Cross is the location for two visual and aural initiatives: David Hockney’s 3D Bigger & Closer at the Lightroom, and Sound Unwrapped at Kings Place, a year-long series of intimate, immersive events kindled by live performance.

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Remembering Wilko: unforgettable encounters with the Dr Feelgood guitarist

Mark Hudson

Looking back on the most exciting, atmospheric and musically challenging gigs I’ve seen to date, there are several contenders in each category. But for the distinction of THE MOST DISTURBING GIG I’VE EVER BEEN TO there is only one possible option: the night in autumn 1973 when I saw a band called Dr Feelgood supporting Ducks Deluxe, a bluesy soully pub rock band in – of all places – Surbiton Assembly Rooms.

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